Gorgeous Kalisy tempts Juan Lucho with a sultry striptease, daring him to “Just Do It,” as Alis Locanta’s steamy tribute to irresistible sexual attraction begins.
When the cute babe pulls up her skirt to bare her beautiful ass and bends over the table, Juan can resist no longer; he yanks her panties down and stuffs his stiff cock right inside her. She’s ready and waiting for it, taking him all the way in, gripping the table as he slams into her doggie style. He gropes her breasts and rubs her clit as he fucks her to a noisy orgasm. Kalisy goes into the kitchen to get a calming drink of water and Juan follows her, clearly not done with her yet. The slender sweetheart squats to take his thick prick in her hand and jerk him into her mouth, sucking and stroking until he’s groaning with lust, then deepthroating him avidly.
Juan lifts Kalisy up and into a seat where he can fuck her standing up, draping her leg over his shoulder, hammering into her pussy. Fast and furious as their coupling is, he still holds her face and kisses her tenderly, as she rubs her clit and squeals with pleasure. Picking her up, still impaled on his cock, Juan sits so Kalisy can ride him. She bounces in his lap hard and fast, climaxing loudly again. Juan pins her up against the wall as he thrusts into her, before jerking off onto her pretty lips as she looks up at him adoringly.
Subil Arch makes a wager with her “Chess” partner Maxmilian Dior – the loser must carry out the wishes of the winner. Subil’s seductive smile suggests she already has a plan in mind, and it seems she is picturing herself on her back on the table, squeezing her big breasts as Maxmilian eats her pussy hungrily.
But he also has a winner’s celebration in mind, fantasizing about Subil sucking his big cock deep and hard. As the game progresses, so do their dirty imaginings; Subil sees Maxmilian fucking her powerfully in missionary, and then slamming into her in doggy, while he pictures her riding him energetically, and jacking him off over her big breasts. There can only be one winner… but in this game of “Chess,” nobody loses!
Anna Rose and Eva Berger look elegant and sophisticated, gossiping over a drink to the accompaniment of an evocative French soundtrack. “Partiers,” the latest episode in Andrej Lupin’s acclaimed Vintage Collection series, sets a refined tone, even as Anna and Eva’s conversation becomes more intimate and they start to kiss.
Anna unbuttons Eva’s blouse to reveal her corset, freeing her breasts and sucking her stiff nipples hungrily. She pulls up Eva’s skirt, tugging at her garter straps, then slides down her panties and thrusts a hand between her stockinged thighs. Moving to the bed, Eva licks and fingers Anna’s pussy, her sexy eye contact driving her lover wild. Anna turns into doggy, rubbing her own clit as Eva fingers her to a climax that wracks her whole body.
Anna licks and kisses Eva’s neck, breasts and thighs as she fingers her vigorously, Eva rocking back against her hand as the sensations build. She grabs Anna for an intense kiss as her orgasm hits her hard. “Vintage Collection – Partiers” blends modern sensuality with a delicious vintage feel to highly arousing effect.
Kira Queen introduces director Andrej Lupin’s disturbing and provocative new “Art Collection” series by pulling on a pair of elbow length black gloves, her posing overtly sexual. Predatory in skyscraper heels and a dress that hugs her voluptuous figure, she eyes her prey, Jayden Cox, who is restrained to the titular “Wall.”
As she approaches and disrobes him, Cox looks apprehensive, but his rising erection betrays another emotion too: excitement. Kira’s gloved hand wraps around his cock, stroking it to rigidity before she kneels to suck it deep. She peels off her dress and squeezes her big breasts around his bone, then bends over and backs onto it, grinding it against the groove of her pussy lips and then guiding it inside. Kira rubs her clit as she slams back onto her captive’s cock, moving faster and harder before abruptly pulling away, leaving him gasping.
She frees his wrists and he sinks to the ground, where she straddles him to get her pussy eaten, and then sits astride him and rides vigorously. She spins around into reverse cowgirl, breasts bouncing as they hump to a simultaneous orgasm. A hint of tenderness between the pair belies the unsettling, challenging and highly charged atmosphere of this extraordinary piece of erotic filmmaking.
Director Andrej Lupin has more than a little bit of fun with the stylish opening sequence of “Flash.” It begins with extreme close-ups of a girl – or is it two girls? – waking up in the morning. The close shots and constant cutting make it difficult to know exactly who is doing precisely what, but eventually we realize that Aiko Bell and Blue Angel are performing their ablutions, applying makeup, and getting dolled up in alluring lingerie, flattering and fashionable clothes, and appropriately sexy sky-high stiletto pumps.
When the two beauties are finally united in a single frame all the effort spent in preparation yields exceedingly quick results. Seated or reclining on low benches and a leather settee in what may be a dressing room in a luxurious home, the twosome begin to kiss. Without removing much of their clothing they proceed to savor one another, Blue sucks Aiko’s pert breasts first, and then Aiko does the same to Blue’s puffy-nippled treats. After briefly licking and sucking Aiko’s pussy, Ms. Bell treats Ms. Angel to a loud and luscious orgasm. Then Aiko straddles Blue’s face and gets licked and sucked to a knee-trembling climax that puts a satisfied smile on her face and a sheen of perspiration on her lean and shapely torso.
But “Flash” isn’t finished – with a quick shift in position Bell moves into a sixty-nine atop Angle and they suck and finger one another to a final, feverish, mutual orgasm. The sizzling stars of “Flash” are all dressed up with no place to go, but they’re in the perfect location to come, and come, and come again!
Although this is the second installment in Alis Locanta’s “Incandescence” series, it is assigned no volume or chapter number, and none is needed. Because the narrative is so simple – and concisely encapsulated by the subtitle “A Doll’s Tale” – each actress who performs in the solo series has free rein to put her own unique stamp on the title. And, as is made abundantly clear in this instance, “Incandescence” is particularly well suited as an introductory vehicle for a new star.
French-Canadian Ariel Rebel, making her first ever appearance in a Sexart production, is assigned the doll role here, and with her big brown eyes and delicate features one might consider this an instance of type casting. But Rebel not only looks the part, she also convincingly embodies a doll undergoing a vivid and intense – if only temporary – experience as a living, breathing, feeling woman. Standing in a room with numerous lamps as well as bare bulbs hanging from the ceiling Rebel makes a fine first impression in her short, tight skirt, black hose and garters, and sheer black blouse over a sheer black bra. Although the camera cuts away periodically and moves in for detailed close-ups, its major role is of mirror, and Ariel gazes into it intently as her newly discovered erotic desires begin to percolate.
The process of awakening and arousal isn’t instantaneous, but once it’s begun there’s no stopping it, and after she’s groped, stroked, and fingered herself to a fever she drops into a squatting position and vigorously probes herself to a thrilling, expressive, finish. An epilog that runs under the credits is subtitled “A ‘Lube Experience’ Dedicate to Rose,” and features an entirely – and adorably – human Rebel indulging in a brief bit of oil-assisted solo play that everybody (Sexart insider or not) is sure to enjoy.