Sexy blonde Katy Sky delays leaving for a trip by whipping out Kristof Cale’s huge cock and flicking her tongue over the head, as episode one of Andrej Lupin’s erotic movie “Free House” begins.
Katy spits on the thick shaft and rubs it against her pussy through her tight white panties, before taking it in her mouth and sucking it voraciously. She gazes up at Kristof’s face to gauge his reaction, and is spurred on by his expression of utter bliss. As she grinds her pussy against Kristof’s erection, she lifts her dress up over her big, beautiful breasts, so he can suck hard on their stiffening nipples. Tugging aside her panties, she feeds Kristof’s pole between the plump folds of her soaked, shaved pussy.
The gorgeous blonde gasps with pleasure as she rides Kristof’s cock, her breasts bouncing wildly. She dismounts to suck her juices from his dick, then bends over for her lover to bang her from behind. They find the perfect rhythm, Kristof thrusting hard and fast as Katy slams back on him to take every stroke deep. They switch to missionary, Katy moaning and trembling with extreme arousal, a powerful orgasm sweeping through her as Kristof pounds her relentlessly. He’s not done yet, and drives her headlong into another climax, before shooting his hot load deep inside her. Sated – for now – they are ready to set off on their trip…
Erika Black is bored. It’s a dreary day and there are few paying customers at the amusement park shooting gallery – “Strelnice” in Czech – where she works. But when an charming marksman, Matt Ice, pays his money and takes his chance her spirits lift. After hitting his targets he hits on Erika, and after a brief chat, some flirting, and a kiss, he takes home his exceptionally beautiful prize. While there’s a powerful undercurrent of passion and mutual attraction throughout the scene, these gifted performers also inject a playful, impulsive spontaneity that gives the unplanned hook-up a lively and engagingly realistic unpredictability.
Erika starts out atop Matt, but once she’s taken off her bra and thrown aside her blouse she winds up on her back and he quickly removes her tight pants and begins to hungrily eat her pussy. Black begins moaning and writhing with pleasure almost instantly, and when Ice pauses to kiss her on her mouth she races to unbuckle his belt so she can get her hands on his cock. Penetration and strong, steady pumping immediately follows, with brief interruptions so that Matt can completely remove his pants and also eat more of Erika’s succulent cunt. Black then sits on Matt’s face, and slides down to take his cock in her pussy once more, laughing and smiling with delight as she rides. When she’s ready for a change, Erika hops off, braces herself against the headboard, and Matt fucks her until she’s gasping and crying out with pleasure. Matt then flips Erika onto her back, hoists her ass off the mattress and proceeds to pound her pussy until she squirts.
Matt quickly resumes his powerful pumping until Erika grabs his straining cock and strokes it frantically until he erupts with torso-splattering jets of molten cum. Although it ends on a sly and subtle note, “Strelnice” scores a bullseye with its explosive erotic action and impassioned performances.
Synopsis: Alis Locanta is an amiable, warm, and personable individual. He is also a multi-talented and uncompromising artist. But he doesn’t make films to make friends or please critics, he simply follows his creative impulses, experimenting, learning, and evolving. Although he’s quite comfortable and accomplished with conventional storytelling, his recently launched “Outlines” series is anything but conventional, and “Outlines Episode 3 – Forget the Writer” is among his most unconventional films to date. Melena A, who headlined the series debut, returns in Episode 3. And, by accident or intention, she plays three “roles” in this ominous, surreal, and powerfully erotic offering. In one she’s seated in front of a manual typewriter, methodically working the heavy, mechanical keys.
In another she’s a beautiful, if modest, presence in a simple green dress. When the dress is removed however, her modesty also disappears. She disrobes, slowly. She stuffs her black panties in her mouth. A metallic ring dangles between her legs. As she grows more aroused she tugs on the ring and first one, then a second metallic sphere pops free of her silken slit. She reinserts the balls and masturbates, her moans of ecstasy muffled by the fabric in her mouth. And, finally, Melena reclines on a couch. Her face is styled to glamorous perfection. She’s clad only a pair of fishnet pantyhose. Although her pussy is wet, luridly pink, and exposed, she tears at the strands of fabric covering it. When she’s fully exposed she takes things still further. Whether you’re offended or inspired, once you’ve seen “Outlines Episode 3 – Forget the Writer” you won’t soon forget it.
Among Alis Locanta’s most notable virtues as an artist is his versatility. He’s as comfortable and confident with richly detailed long form narratives as he is with virtually plot-free single-girl masturbation features. “The Audition” boasts the spare simplicity of a single girl production, with the added bonus of featuring two girls.
And Locanta has cast a particularly appealing pair here: Iwia A and Grace C. The film takes place in a colorful, simple, and stylishly decorated bedroom. Grace sits on the bed studying a script and helps Iwia with her lines as she films an audition video with a tripod-mounted camera. This scant bit of “plot” is something of a visual appetizer and once the auditioning is done the girls devote their attention to one another. With Iwia nude and on all fours, Grace slides underneath her and delicately licks and kisses her pussy and clit. Then Grace strips off her white panties and tank top and Iwia returns the favor.
There’s nothing dramatic, theatrical, or overblown about this interlude, it’s simply two exceptionally beautiful girls enjoying a bit of casual but rewarding lesbian sex play. After fingering Grace from behind the two petite beauties recline, side by side, and using a single hand apiece, masturbate each other to orgasm simultaneously.
Iwia A, Grace C, and Alis Locanta all pass “The Audition” with flying colors.
Spain’s Amarna Miller not only stars in “Qué Es La Pasión,” she also, in collaboration with director Alis Locanta, wrote the screenplay. Non-Spanish speakers may have a bit of difficulty understanding Miller’s brief introductory (and concluding) monologues, but her performance with Juan Lucho requires no interpretation — this is a story of a couple united in love and consumed with overwhelming sexual desire for one another. Miller may have expended considerable energy on the conception and execution of her screenplay, but she has vast reserves of expressive erotic fire at her disposal, and her performance here quickly reaches a rolling boil that is sustained until the film’s final moments. While the emotions, interactions, and reactions here are rich and complex, “Qué Es La Pasión” is actually quite simple.
Awake in bed with Lucho slumbering at her side, Miller introduces the film. We see the couple, clearly in love, kissing and indulging in a brief bit of spontaneous sex. Then, on a compact sofa, they go at it in earnest. While there is affection and romance in the air, there’s also a powerful undercurrent of ravenous hunger, and Lucho satisfies his by going down on Miller. To say that Miller is responsive is to understate — indeed, once she’s been primed, Amarna exists in a near-constant state of hyper-arousal through the entire session, and each orgasmic peak she achieves only paves the way for the ever more intense climaxes that follow. Lucho is a skilled and sensitive lover, and brings a vigorous physicality to this role, but this is Miller’s time to shine and she moans, quivers, shivers, humps, masturbates, sucks cock, and fucks with explosive abandon until semen drips from her open pussy and she collapses, completely satisfied, into Lucho’s embrace.
“Qué Es La Pasión” is a vivid testament to stunning power of desire, love, and raw lust.
Alis Locanta, in collaboration with scenarist Alan Russell, utilizes the circular, rhythmic flow of the seasons as a central thematic, structural, and technical component in this, the first installment of four-part feature series “Waltz with Me.” The film stars Alexis Brill and Franck Franco, and as it begins they meet in the middle of an airy loft apartment where “Waltz with Me Chapter 1 – Autumn,” and the three subsequent episodes all take place. Locanta has a long history with both his stars – he directed each of their Sexart debuts, Brill in “Angel,” and Franco in “Turning Point.” Both have since established themselves as versatile, appealing, and confident performers, and “Waltz with Me Chapter 1 – Autumn,” provides a fine showcase for their talents.
Brill and Franco are entirely convincing as a young couple, very much in love, beginning an important and exciting phase of their lives together – there is joy and sincerity in the way the work and play together, and there is tenderness and passion when the make love. That lovemaking takes place on a bed in the center of the space, and Locanta’s agile camera, ever on the move, circles the duo as they explore and experience each other – an all-seeing moon orbiting a flaring sun of eroticism. The action has a natural, spontaneous flow: Brill enhances a blowjob with much loving eye-contact, she then straddles Franck and rides him, a gorgeous cowgirl, tall in the saddle. After a position change, Franck pauses to eat a particularly responsive Alexis, and they reach a splashy finish after screwing in the spoon position.
“Waltz with Me Chapter 1 – Autumn” begins the series with a beautiful bang…and there are still three seasons to look forward to.
Melena A is the stuff Top Models are made of. As this is written she’s #10 at Sexart, and she earns similar lofty ratings at other sites in the Metart Network.
Her still galleries tell part of the story – she’s blessed with a beautiful face, long, flowing hair, and a leggy, nubile body that is the very picture of perfection. But it’s in her movie performances where Melena A’s talents – both physical and emotional – can be fully appreciated. In “123 Fahrenheit” those talents are front and center and the result is a film that instantly grabs the viewer’s attention, and then steadily ramps up the erotic intensity until the film’s final seconds. Alis Locanta toys with the timeline in the first minutes of the film.
Melena A is in the midst of a refreshing shower, then she’s seen primping, preening (and being utterly adorable) before undressing. The film then commits to the extended shower sequence at the center of “123 Fahrenheit.” Warm water – from overhead or sprayed from a hand-held nozzle – flows across Melena’s body, and through the entire film. It lubricates her hands as they explore her body, and it wets her fingers as they probe her pussy and stroke her clitoris. Melena, standing, masturbates to a series of ever-bigger climaxes. When her arousal overwhelms her balance she slides down and, seated on the shower floor, strokes and fingers herself – again, in stages – until one final orgasm that explodes with dazzling intensity.
No amount of water can quench this fire – Melena A sizzles and “123 Fahrenheit” is a scorcher.