Stunning brunette Emylia Argan strolls through a sun-drenched garden, looking irresistible in a dress that clings to her voluptuous body, as Andrej Lupin’s romantically erotic movie “D’Amour” begins.
Encountering Eric El Gran, she teases him seductively, before leaning in for a kiss. He holds her tight and caresses her passionately, pulling her pretty dress down to reveal her big, beautiful breasts spilling out of her bra. Soon she’s deliciously naked, freeing Eric’s cock from his pants and taking it in her mouth, sucking until it’s rigid. She bobs her head fiercely, getting it shiny with saliva, then lies back so Eric can suck her nipples and eat her hairy pussy until the powerful sensations overwhelm her.
He thrusts into her in missionary with one of her legs up over his shoulder so he can go deep, then flip so Emylia can straddle him and ride slow and steady. She picks up the pace, ass rippling and boobs bouncing, moving into a squat to slide up and down on Eric’s cock. He spins her again, running his fingers through her lush bush as he hammers into her in spoons, driving her to an orgasm before she jerks his hot load out over her fluffy pubes.
Gorgeous Candice Demellza poses on the beach for photographer Nick Ross, as episode four of Andrej Lupin’s steamy series “My Summer” begins.
Their friends are playing football, but the cute couple only have eyes for each other. Later Nick confesses his feelings to Max – who had a drunken one-night stand with Candice in the first episode – and storms off. But Candice chases after him and convinces him of her love. Back at the villa, they kiss tenderly as she straddles him in her skimpy string bikini. She pulls off his shorts and licks the length of his stiff cock, gazing up at him as she sucks and jerks it. Untying her bikini so it falls from her slender body, she guides Nick’s cock into her shaved pussy, rocking her hips as she rises and falls on it. They kiss hungrily as they move in unison, arms wrapped around each other.
Nick flips Candice onto her back and goes down to eat her hot pussy, making her gasp with pleasure, then thrusts back into her in missionary. He plows into her steadily, moving into spoons to fuck her to orgasm before she jerks his load out all over her pussy. It’s true love; for now, at least…
Synopsis: From its cryptic title to its ominous, almost sinister epilogue, Alis Locanta’s “Something Else That I Have To Survive” is wrapped in a thin veneer of mystery, but the actual content of the film – a heated bout of Latin-flavored lesbianism – is simple, straight-forward, sizzling, and satisfying. Layla Sin and Chloe Amour lounge on a bed munching on salty snacks and sipping soda pop as they recount recent events in their lives.
The mood here is giddy, girlish, and cheerful, with subjects ranging from hot guys to beauty pageants. But then, suddenly serious, Sin declares: “I don’t know what I would do without you.” That heart-felt pronouncement opens the door and sexual love immediately makes its entrance. After peeling off Sin’s skin-tight jeans Amour uses her long, delicate fingers and agile tongue to penetrate and tease Layla to vocal peaks of pleasure. And after she’s regained her composure, Sin eagerly repays the debt, first licking and probing Amour from the front, then moving behind her and reaching around until her partner has reached orgasm.
The casting here is particularly appealing – though each is distinctly appealing in her own right, Amour and Sin are surprisingly similar in outward appearance. Exotically beautiful, with long dark hair, dark eyes, and lean, shapely, long-limbed bodies, this striking visual pairing is a major reason that “Something Else That I Have To Survive” is really something to savor.
The late, great, writer-director, and erotic cinema innovator Zalman King created the “Girls Love Sex” series for Sexart in the final phase of his career and life. Now Alis Locanta steps into King’s imposing shoes for his own interpretation of the master’s established format with “Ain’t Talkin’ ‘Bout Love,” the first installment of the “Girls Love Sex International” series. While the format doesn’t differ too greatly from the original, the film does have a distinctly European flavor.
Amarna Miller is the focus, star, and interview subject here. Seated on a couch she enthusiastically and candidly discusses her sexual history and her career as an erotic model. As the red-haired Spanish beauty grows more relaxed in the course of conversation she describes, in some detail, a relationship from her past. And when the memories of that intense and passionate entanglement overwhelm her with sensual recollections she terminates the interview and gives in to her erotic desires. What follows is an intimate, honest, sincere, and uninhibited episode of female autoeroticism.
By the time she has completely satisfied herself the viewer will be, likewise, completely satisfied, and will come away with a detailed and compelling impression of a beautiful young woman in her sexual prime. Honesty, intimacy, and explicit eroticism allow Alis Locanta’s “Ain’t Talkin’ ‘Bout Love” to speak a universally understood language.
Lorena B is in the spotlight looking provocative and demur. Just look at her mischievous smile as she poses in the spotlight with just her bra and panties on. Once she removes panties you can see her plump hairy pussy that is waiting for penetration from her bright red beads.
The two stars of Don Caravaggio’s “Stay Sweet” make a fine pair by virtue of their similarities as well as their differences. Both performers share somewhat similar physiques – small breasts, ripe asses, long legs – but where Lorena B has dark hair and a bronze complexion, Tracy Lindsey is a blonde and cream-skinned. Adding a further bit of subtle contrast, Lorena brings a knowing maturity to her role while Tracy retains an endearing hint of innocence.
The film, which takes place in a generously proportioned and luxuriously appointed bathroom and adjoining shower stall, unfolds at a relaxed pace and allows the chemistry between to two lovers work its magic without rushing. The lighting is soft and warm, the camera moves gently and unobtrusively, and the performers take their time while savoring each other with equal portions of love, tenderness, and passion. Much time is spent simply kissing and caressing. And when the pair is ready for more they move into the shower where they take turns pleasuring each other as water plays across their beautiful bodies. Two extremely appealing stars and an artful balance of tenderness and passion make “Stay Sweet” a tempting erotic treat.
It’s a quiet, balmy evening. Lorena B and Mia Knox, chatting and flirting, walk up to a house, stopping outside the door. We can’t hear what they’re saying but the situation is all too familiar – the dinner and drinks have been enjoyed, now it’s time for a kiss goodnight…or perhaps something more. Lorena is cheerful and bright, not teasing but not encouraging. Mia is aroused, aggressive, making no attempt to conceal her desire. Lorena eventually agrees.
They go inside the house. No time for the bedroom, or even a sofa – they embrace on a coffee table and the seduction proceeds. Mia quickly helps Lorena out of her denim mini skirt and top, then savors the exposed flesh she’s been hungering for. Lorena is a willing partner, enjoying the attention, and yielding to the pleasure. They kiss, they caress, they explore, tentatively, and then with increasing intensity. It’s when they’re in the a 69 that Mia, in the superior position, pulls out the stops. She licks Lorena’s clitoris and sucks on her pussy until she’s thrusting her hips and pushing herself against Mia’s greedy mouth. After her own overpowering orgasm subsides, Lorena turns her full attention to her seducer. While Lorena rhythmically pumps two fingers in and out of Mia’s moist pussy, Knox feverishly rubs her own clit until the inevitable, exquisite, explosion arrives.
A connection is forged in love and lust in “You & Me.”
When we first see Samantha Bentley she’s singing and dancing to the music playing on her iPod while sorting her laundry. Lost in the moment, she doesn’t notice when her lover, Franck Franco, enters the room. And Franco doesn’t interrupt – he watches in amused silence with a smile on his lips and love in his eyes.
When Bentley realizes she’s not alone her embarrassment is fleeting and the couple begin to kiss, and their passion quickly escalates. Bentley, making her SexArt debut, is a British citizen, and Franco is a Spaniard, but the connection this couple share is genuine, powerful and easily transcends any language barrier. Indeed, when two people share such a powerful bond no words need be spoken and love expresses itself with pure physical passion and orgasmic bliss.
No subtitles or translation is required as this encounter unfolds – “Spanglish” proves, with style, intensity, and sincerity, that love is the universal language.
The ocean is agitated, alive – white-capped waves roll insistently towards the beach and break against rocks and black sand. The strand is desolate, beautiful, bathed in the rays of the late afternoon Sun. As the stars of “The Sea Mousse” arrive in this striking landscape they are giddy, beaming, running ankle-deep in the foamy surf, two stunning young women, playfully, eagerly, entirely in love.
Carefully balancing sex and art, director Andrej Lupin then positions his subjects – Lorena B and Whitney Conroy – on a blanket mere feet from the surging waters. What follows combines natural beauty with artful style, the hunger of passion flows into the most tender romance. Love in the afternoon, accompanied by the sand, the surf, salt spray, glimmering light, lengthening shadow, and the rolling, crashing waves of exquisite orgasmic delight.
Let “The Sea Mousse” sweep you away to a place of extreme beauty and overwhelming pleasure.