An erotically charged and darkly atmospheric movie from director Andrej Lupin, “Wrapped” sees beautiful black Brazilian babe Luna C pour oil all over blonde sizzler Nancy A, whose naked body is bound in cling wrap.
Luna’s hands explore Nancy’s perfect body, her fingers delving inside the film to squeeze Nancy’s shining, oiled ass. Luna rubs between Nancy’s thighs to push the wrap in tight. As the plastic begins to fall from Nancy’s body, her fantastic breasts, slick with oil, are freed. Soon Luna is smearing the lotion all over Nancy, kneeling in front of her and sliding her hands up over her thighs to her tits. Nancy rubs her body against Luna’s, the oil spreading from one to the other, and Luna’s chocolate nipples stiffen with pleasure. Together, they kneel on a wrap-covered mattress, stroking each other’s shining body. Luna dominates her sweet Ukrainian lover, sliding a hand between her legs and toying with her slick pussy.
Her touches encourage Nancy, whose heavy breathing reveals her desire. Nancy reaches for Luna’s shaved pussy, the oil making sexy sounds as they squeeze and rub each other. Nancy wants Luna so badly, her pussy as wet as her oiled skin, her moans of desire growing louder. Luna lies on her back and spreads her legs, her dark, oil soaked labia and clit laid bare. Nancy straddles Luna, sliding her beautiful breasts over her, then reaching between their thighs to rub and stroke Luna’s pussy as Luna does the same, sliding two greased fingers into Nancy’s sopping hole. Nancy bounces wantonly on Luna’s fingers, fondling her oiled breasts. Luna’s sensual fingering makes Nancy groan with lust as she grinds to an earth shattering orgasm.
She slides off her ebony lover and slips two fingers into Luna’s oily pussy, fucking her harder and faster as Luna rubs her fingers over her clit, bucking as she cums loudly. Nancy lies back to let Luna finger fuck her again, so turned on she can’t stop herself from thrusting back against her lover’s slick digits, climaxing hard and fast. Now Luna straddles Nancy, who slips two fingers up her wet hole. Luna kneels up, holding her lover by the wrist, guiding her hand as she orgasms all over her fingers. It’s a beautiful encounter that will appeal to lovers of art and erotica alike.
It’s not at all surprising – and also entirely fitting – that the tenth episode of Alis Locanta’s groundbreaking erotic series “Outlines” is completely unlike any of the nine episodes that have preceded it. Most notably, “Outlines Episode 10 – Animal Instinct” is neither a single girl, or a girl-girl feature. Taking the series into uncharted territory, Locanta has cast three performers – Taylor Sands, Silvie Luca, and Alexa Tomas – and has given them each unique roles to play. While it is tempting to reveal the scenario and action in luscious, lurid detail – and this film is unquestionably both of those things – it can be said without giving too much away that Ms.
Sands is cast in the most animal-like role, even though her castmates also have ample opportunity to display their “Animal Instinct.” With theme music provided by an atmosphere-enhancing jazz quartet, the film cycles between the presentation of the three stars, each in her own panel of an animated triptych, and two stylized but intensely erotic sexual encounters. While all three of the film’s stars have appeared in previous installments of the “Outlines” series, their performance here are completely self-contained and specific to this production. The same can be true of the cinematic artist who created the ten component pieces of “Outlines.” Each episode of the series is unique, inventive, experimental, and powerfully erotic. Although “Animal Instincts” ends the series, it also begins a conversation, and viewers will be talking about and revisiting “Outlines Episode 10” long into the future.
Synopsis: It’s been nearly a year since Alis Locanta released “Possessione” and fans of the original are certain to be pleased with the sequel, “Possessione 2.” Here the subject matter, the style, and even the leading man remain the same, but now Alexa Tomas takes on the role of submissive to Franck Franco’s dominant. And Locanta sets the story in motion with the same clever mix of the sinister with the sweet, the ominous with the innocent, the rough with the tender. After a dark and disquieting introduction (enhanced by a foreboding soundtrack) we’re given several different views of Alexa and Franck’s relationship.
They’re in love, they’re impulsive and spontaneous, and after Alexa makes a not so subtle suggestion, they’re obviously open to experimentation and erotic adventure. Without revealing too much detail – and robbing the viewer of the thrill of discovery – it’s safe to say that “Possession 2” is about power – relinquishing it, utilizing it, and ultimately sharing it. Alexa has chosen her role not only willingly, but eagerly. Franck uses his power not to threaten, but to create pleasure – for himself, to be sure, but for his tethered partner in equal measure.
Here the master and the slave derive the same delight from the ritual they partake in – both the possessor and the possessed achieve a similarly elevated level of arousal, and, in the end, the same level or orgasmic pleasure at the very same time. And as they kiss and hold hands in the aftermath it’s made abundantly clear that “Possession 2” is only superficially about power, and almost entirely about the pleasures that can be achieved through unconventional means.
Light streaming through a window does little to penetrate the shadows of a darkened room. Candles flicker in the gloom and smoke hangs heavy in the air. A hooded figure moves slowly through the space. A man, blindfolded, lies on a platform, his body encased in black plastic sheeting, his erect cock poking luridly through a hole in the material.
The figure sits, spreads her legs and surveys her subject, playing her bare feet idly across his expressionless face. Moody, atmospheric, kinky? “Darkness In My Mind” is all those things. It’s also unpredictable, unconventional, surprising, and feverish in its intensity.
“Darkness In My Mind,” written by Ariel Piper Fawn, explores female desire, decadence, dominance, and the single-minded pursuit of sexual pleasure in unique and unusual ways, and director Andrej Lupin brings her vision to the screen in ways that will arouse, provoke, tease, intrigue, and, above all, satisfy.