Stella Cox – Hand Made

Like a scene from a classic Hollywood movie, busty beauty Stella Cox and her lover Joel Tomas are working with clay. But as Alis Locanta’s “Handmade” begins, Stella is wearing nothing but a white T-shirt, her shaved pussy bared, and Joel is only interested in uncovering her big natural breasts and smearing them with clay.

They move into the shower, letting the water cascade down their bodies as they wrestle each other’s clothes off. Stella kneels to lick Joel’s thickening erection, her sloppy sucking as wet as the shower’s jets. In the bedroom, Joel is so hungry for Stella, worshipping her breasts and licking his way down her body to lie between her legs and pleasure her soaked and spread pussy with his tongue. He lies back so Stella can take his rigid rod between her lips, bobbing her head up and down noisily on his full length. He’s so hard as she climbs aboard and thrusts her juiced-up pussy down onto his dick, bucking hard and fast, her cries of passion loud and animalistic. Stella spins around to ride Joel in reverse cowgirl, big boobs jiggling as he hammers up into her hard and fast.

The lovers are greedy for taste, 69ing with Stella on top, jerking Joel’s thick prick and deepthroating him enthusiastically as he feasts on her wet slot. Joel bangs her from behind, drilling into her relentlessly, then turns her into missionary so she can rub her clit as he fucks her to an intense climax and showers her with hot cum. It’s a powerful celebration of sexual connectedness at its most raw and real.

Antonia Sainz, Linda Sweet – Under Cover

Andrej Lupin’s “Under Cover” begins with redhead Linda Sweet she-bopping herself in bed as she watches Antonia Sainz rub cream into her naturally curvaceous body. As Linda’s arousal increases, she closes her eyes and starts playing with her well-lubricated slit.

Antonia notices this, dives under the sheet and takes over, vigorously eating from her honeypot. Suddenly, Antonia surfaces for air and they share a loving look before she lubes up two fingers in Linda’s mouth and disappears back under the cover to swiftly finger bang her to a howling orgasm. After a brief French kiss exchange, Linda reciprocates by clamping her mouth onto Antonia’s snatch – who ups the pleasure factor by tugging at her own nipples.

She growls like a wild cat as Linda combines fingers and tongue in pleasuring her. Seconds later she completely loses control and orgasms – then flips over onto her knees to be brought to an even more tumultuous climax. Collapsed in a trembling heap, the completely sated babes fire off smiles that express their unmitigated and mutual, lust-filled love.

Kira Queen – Art Collection – Art Wall

Kira Queen introduces director Andrej Lupin’s disturbing and provocative new “Art Collection” series by pulling on a pair of elbow length black gloves, her posing overtly sexual. Predatory in skyscraper heels and a dress that hugs her voluptuous figure, she eyes her prey, Jayden Cox, who is restrained to the titular “Wall.”

As she approaches and disrobes him, Cox looks apprehensive, but his rising erection betrays another emotion too: excitement. Kira’s gloved hand wraps around his cock, stroking it to rigidity before she kneels to suck it deep. She peels off her dress and squeezes her big breasts around his bone, then bends over and backs onto it, grinding it against the groove of her pussy lips and then guiding it inside. Kira rubs her clit as she slams back onto her captive’s cock, moving faster and harder before abruptly pulling away, leaving him gasping.

She frees his wrists and he sinks to the ground, where she straddles him to get her pussy eaten, and then sits astride him and rides vigorously. She spins around into reverse cowgirl, breasts bouncing as they hump to a simultaneous orgasm. A hint of tenderness between the pair belies the unsettling, challenging and highly charged atmosphere of this extraordinary piece of erotic filmmaking.

Antonia Sainz – Female Power

“Female Power” might be a chanted slogan at a feminist political demonstration, it could be a plea for equality in the workplace, and it could be a simple declaration that members of the so-called “second sex” are tired of being treated as second class citizens. But in Andrej Lupin’s “Female Power” it playfully signifies the irresistible allure that a woman can use to bend a man to her will. Matt Ice is in the shower, minding his own business, when Antonia Sainz enters the bathroom.

At first she watches him from a distance, then she takes off her robe, climbs into the bathtub just outside the glass-walled shower stall, and slowly, deliberately, and with lustful calculation, begins to exert her “Female Power.” She starts by toying with her breasts. Then she slides two fingers between her legs and plays with the pouting lips of her pussy. Matt, as one might expect, snaps to full attention. At this point Sainz begins to tease Ice in earnest. She feigns a blowjob, she rubs her firm ass on the glass, she playfully tempts and taunts, earning Matt’s wide-eyed approval.

After she’s had her fun with the tease, Sainz is hungry to please, and satisfies her hunger – and Matt’s – by treating him to a blowjob punctuated by bouts of slick and skilled stroking. Now that she’s got Ice exactly where she wants him, Sainz decides she wants him somewhere else, so he enters her from behind and fucks her to peaks of pleasure. Then, with Matt seated on the edge of the tub, Sainz rides him in two positions before achieving her final climax. An arrogant or selfish female might exit the scene at this point, but Antonia’s brand of “Female Power” is loving and generous, so she treats Matt to the slippery delights of a brief tit-fuck, and then she jerks his prick until his semen spurts and splatters her chest and the immediate vicinity.

Pleasingly and playfully passionate, “Female Power” is certain to engage, entertain, and satisfy viewers regardless of gender.

Lady Dee & Lucy Li – Petrin

Synopsis: Andrej Lupin’s erotic film “Petrin” presents two distinct kinds of love: the artist’s love of his home, Prague in the Czech Republic, and the love shared by two beautiful women. “Petrin” takes its name from a hill in the center of Prague and as the film begins Lady Dee arrives for a rendezvous with Lucy Li.

They ride a funicular railway to the top of the hill, wander through beautiful gardens, climb to the top of a lookout tower where they gaze at the beauty of the city spread out at their feet, and visit various attractions, including a hall of mirrors. The beauty of the setting and scenery is the perfect backdrop to the obvious affection between the two dark-haired starlets. Then the film transitions to a far more intimate, but equally evocative, location – an oversized spa tub in which the two lovers, now totally nude, share a leisurely and romantic interlude. Kissing tenderly, they bathe each other and savor the privacy and serenity of their surroundings.

Love soon gives way to lust, however, and Lucy strokes, eats, and fingers Lady Dee to a strong climax. With a bit of direction from the more assertive Li, Lady Dee then pleasures her voluptuous partner, ultimately bringing her to a powerful orgasm. This beautiful interlude reaches its conclusion as the lovers playfully splash each other with water, ending “Petrin” on a sweet, stylish, and satisfying note.

Anissa Kate – Inside Couple

Synopsis: Erotic performers are used to “baring it all,” it’s a basic requirement of their chosen profession. But people who work in the nude and perform the most intimate and personal activities for the pleasure of a viewing audience are real people with private lives and stories they rarely share with the general public. This second edition of Alis Locanta’s “Inside Couple” takes us inside the lives of Anissa Kate and her real life lover, Franck Franco. She is French and a relative newcomer to Sexart with only one feature to her credit prior to this one. Franco, a Spaniard, is a prolific Sexart veteran with two dozen performances under his belt.

Each performer is interviewed individually, in his or her own native tongue, at the start of the film, and then they retire to the comfort and (relative) privacy of a bedroom to consummate their relationship once more. It’s a particularly engaging format, and the information and insight provided by the interviews gives added weight and impact to the lovemaking that follows. As Locanta’s camera glides through the space the couple kiss, Anissa’s lingerie is removed revealing her stupendously shapely body, Franck feasts on her succulent flesh, she treats him to a drawn-out suck session, and they fuck in two variations of the cowgirl position.

While there’s no mistaking this for spontaneous sex, there’s a natural affection and romantic connection that takes it well beyond a choreographed encounter, and the simultaneous orgasm they ultimately share is as powerful as it is genuine. What these two appealing performers reveal during “Inside Couple – Anissa & Franck” is a privilege and pleasure to witness.

Anissa Kate – Incandescence

Alis Locanta’s highly stylized single girl series, “Incandescence,” follows a fairly rigid format, and that is handily summarized by the subtitle appended to each edition: “A Doll Story.” And while each episode features a female “doll” coming to lusty life and then satisfying long-dormant sexual desire, the constraints of the format give each performer who takes on “the doll role” an opportunity to create a unique and intensely personal work of self-expression.

In this, the third offering in the series, Anissa Kate makes her first ever appearance in a Sexart production. With a music box providing the now familiar soundtrack, and standing in a room lighted by various lamps as well as bare bulbs, the process begins. As her heart begins to beat and her fever begins to rise Anissa’s hands begin to caress, grope, and squeeze the ample breasts concealed by her blouse. She tears at the garment, exposing two stunningly large orbs.

After teasing the nipple of each hefty tit with her tongue, Anissa’s attentions move in a southerly direction. She rubs her crotch through the fabric of her snug skirt, then unzips and lets it fall to the floor revealing a simple garter belt and stockings. With a focus sharpened by hunger, she goes to work, fingering and caressing her sex, first with one hand, then with both, stroking, rubbing, and penetrating herself until she gets what she’s been waiting for. As Anissa Kate’s orgasm fades the screen fades to black. During the credits she reappears, this time standing in a shower, dripping wet, in a sheer bikini that graphically highlights her voluptuous body and sultry screen persona. Anissa Kate’s turn in “Incandescence” is a turn-on, in more ways than one.

Helena Sculptura – Racetrack

Andrej Lupin’s “Racetrack” begins with a burst of high, playful energy. Helena Sculptura (in her Sexart debut) and Thomas Lee are in the middle of a fierce video game battle, but when Lee’s car begins to pull away from the pack and Sculptura’s chances of victory dwindle she loses interest in the contest. And that’s when “Racetrack” shifts from frantic to romantic. Straddling Lee, the couple begin to kiss.

When Sculptura’s cozy robe falls open a plush and voluptuous body is revealed, and Lee is powerless to resist. After rubbing his erection with her shaved pussy, Sculptura takes it in her hand and guides it inside. The slow and rhythmic rise and fall of her full, round rump sets the pace as the twosome savor the sensations of leisurely mid-morning sex. There is nothing at all hurried about this interlude, and it flows at a natural, easy pace. After a brief pause Sculptura moves into the reverse cowgirl posture, and then the twosome transition to a spoon position.

This is followed by a sixty-nine that satisfies oral appetites and primes both partners for the final stage of their tryst. Face to face, with Sculptura on her back, Lee vigorously pumps Helena to a breathy and vocal climax, followed shortly thereafter by an internal ejaculation. In this engaging offering two appealing performers create a spontaneous and genuine slice of romantic life to put “Racetrack” in the winner’s circle.

Lucy Li – With Love

Intimacy and sincerity are two of the key ingredients in Andrej Lupin’s ode to romance, “With Love.” Raven-haired Lucy Li stands in the bathroom performing that most mundane of tasks, brushing her teeth. Her lover, William Zeff, watches, entranced, from the hallway before stepping into the room and joining the object of his affection. The mood is casual, relaxed, just another day of cohabitational bliss. But Zeff can’t keep his hands off of Li, and once she’s done brushing, she warms to his advances. Soon he’s on his knees making love to Lucy with his mouth and tongue. Scooping her up in his arms he then carries her to the comfort of a sofa in the living room, and here the central act of love in “With Love” takes place.

The scene – the entire film, in fact – flows at a natural, spontaneous pace, and the on-camera chemistry the twosome display lends an irresistible air of romance to the proceedings. And proceed, they do. After warming up with kisses and caressing, Lucy gets on all fours and William enters her from behind. The couple transition effortlessly into several sexual positions, each yielding additional and rapidly accumulating pleasure. Then, on her back after experiencing her own vocal climax, Li grabs Zeff’s erection and strokes it until he ejaculates explosively on her stunningly voluptuous body. In the shower, afterwards, the besotted and generous beau strokes Lucy’s lather-lubed slit and clit to a final climax. “With Love”? Absolutely. But also with tenderness, passion, affection, intensity, and pure joy.

Miela A – Pedim

SexArt Miela A - Pedim

Lying back relaxing on her burnt umber sofa, Miela A has something on her mind. Wearing nothing but a white, lacy bra and panties, her thoughts begin to wander and she slowly takes off her bra to expose her perfectly round, supple breasts. It’s not long before her panties slide down and she exposes her stunning, smooth, plump pussy lips. Her glass dildo appears and she is ready for some erotic solo masturbation.

Lucy Li – FLY

Unfinished drinks from the previous night sit on the bedside table. A couple, asleep in a well-rumpled bed, are awakened by a ringing phone. Still groggy, he takes the call while she pads around the room getting dressed to leave. But before she can retrieve her panties he pleads and cajoles – with little resistance, she agrees to stay. She is Lucy Li, black-haired, cream-skinned, voluptuous, and beautifully busty. He is Kristof Cale, cool, confident, and eager to pick up where the lovers left off the previous night.

Li is no less eager, and she relishes the task of sucking Cale to throbbing stiffness. She then straddles his face and plants her pussy on his mouth. Both suitably primed, the tryst proceeds at the relaxed, unhurried pace the early hour dictates – these two performers, at ease and completely comfortable together, perfectly create the mood and tempo of “morning after” lovemaking.

Andrej Lupin’s “FLY” presents a romantic morning tumble – with an unexpected twist – that is a spontaneous, natural, evocative, and extremely satisfying experience.