Andrej Lupin’s “Racetrack” begins with a burst of high, playful energy. Helena Sculptura (in her Sexart debut) and Thomas Lee are in the middle of a fierce video game battle, but when Lee’s car begins to pull away from the pack and Sculptura’s chances of victory dwindle she loses interest in the contest. And that’s when “Racetrack” shifts from frantic to romantic. Straddling Lee, the couple begin to kiss.
When Sculptura’s cozy robe falls open a plush and voluptuous body is revealed, and Lee is powerless to resist. After rubbing his erection with her shaved pussy, Sculptura takes it in her hand and guides it inside. The slow and rhythmic rise and fall of her full, round rump sets the pace as the twosome savor the sensations of leisurely mid-morning sex. There is nothing at all hurried about this interlude, and it flows at a natural, easy pace. After a brief pause Sculptura moves into the reverse cowgirl posture, and then the twosome transition to a spoon position.
This is followed by a sixty-nine that satisfies oral appetites and primes both partners for the final stage of their tryst. Face to face, with Sculptura on her back, Lee vigorously pumps Helena to a breathy and vocal climax, followed shortly thereafter by an internal ejaculation. In this engaging offering two appealing performers create a spontaneous and genuine slice of romantic life to put “Racetrack” in the winner’s circle.