Synopsis: “J&J” is named for its two stars – Julia Roca and Juan Lucho – and is something of a lusty love story. And just as a romantic couple is composed to two separate individuals, “J&J” consists of two contrasting elements. Much of the film takes place during the day, in a white room with white shades that diffuse the abundant natural light. The lovers are both clad in white underwear, and they kiss with passion, desire, romance, and bit of pleasing playfulness.
It is in this daytime space that Lucho eventually goes down on Roca, and his agile and insistent tongue soon has her moaning with pleasure and absolutely beaming with love and affection for her partner. But the couple are also presented in a far different setting. Here it is obviously late at night. Dance music throbs from somewhere else in the building – perhaps they’ve wandered upstairs or backstage in a nightclub. In this unlikely spot they kiss and fondle each other, but the mood is entirely different. No less loving, no less passionate, but more raw, more edgy. And “J&J” moves between the two spaces as Julia and Juan move through an extended session of lovemaking. In the nighttime space Julia ravenously sucks and vigorously strokes Juan’s cock.
In the daytime space the tempo and intensity of Roca’s blowjob is subtly altered – it’s every bit as hot, just absent the mood and attitude of the nocturnal encounter. That daytime blowjob is followed by fucking, first in the cowgirl position, then its reverse. And through it all, even as her arousal increases, Julia is radiant, spontaneous, naturally expressive, and fully caught up in the romance and passion of the moment until orgasm overwhelms her. The scene then changes once more, and in that shadowy room the fucking continues until Lucho erupts deep inside his lover. “J&J” offers a multidimensional portrait of a couple very much in love (and lust).
Synopsis: Alis Locanta’s single girl masturbation series “Lost in a Dream” is both popular and highly rated, and the format could no doubt be revisited long into the future with similarly satisfying results. And that’s enough reason for this restless and inventive director to take his project in a distinctly new direction with “Lost in a Dream #7.” This is also a new direction for the film’s star, Julia Roca. As noted, previous episodes of the series have been single girl features, and Roca’s four previous Sexart appearances have been in girl-girl films.
Here she’s the Dreamer character of previous installments. But, for the first time ever, the Dreamer conjures a partner in her dream, Joel Tomas, making this the first boy-girl film in the collection as well as Roca’s first boy-girl scene for Sexart. And, make no mistake, this is a bravura performance for the dark-eyed siren. True to form, the film shifts from the sleeping Dreamer to the visions playing out in her dreams. And, following the unique, nonlinear logic of the subconscious, Roca’s dream is segmented, consisting of three separate encounters. In the first, Roca and Tomas are relaxing poolside when she’s suddenly inspired to ravenously suck and furiously stroke his cock until her breasts are smeared with semen. In the second segment Roca and Tomas kiss and caress with vigorous passion before Tomas eats Roca’s pussy to an extremely vocal and expressive orgasm.
As the Dreamer’s own autoerotic activities increase in intensity the third segment is an absolutely searing screw, devoid of frills or foreplay, and filled with pumping, pounding, grinding, and Roca’s unrestrained, animalistic, and ecstatic expressions of raw sexual desire and overwhelming pleasure. “Lost in a Dream #7” ends with two tantalizing extras – Roca is simply stunning in the high fashion epilog that runs under the credits, and sharp eyed viewers will surely wonder: where, when, and why was she sleeping in that non sequitur of a setting?