An insiders’ view of the making of an erotic movie, Alis Locanta’s immersive and highly arousing “Docu-Film” gets off to a lively start with vivacious redhead Amarna Miller introducing herself and her handsome partner for the movie, Joel Tomas.
On set, as Amarna and Joel discuss what they are going to do you can see them start to get turned on, and soon they are kissing and touching each other passionately. Joel undresses Amarna, gazing hungrily at her pert breasts and neatly trimmed pussy, then spreads her legs high and wide and licks her until she’s gasping and moaning with pleasure. He pauses to strip, and once he’s naked, Amarna feeds his fat cock into her mouth and strokes and sucks it to full stiffness. It’s so big that she gags and dribbles while taking it deeper with each bob of her head. Joel rubs her pussy to ensure she is dripping wet, then drives his cock deep inside her, fucking her frantically in missionary before flipping her over and banging her in doggy, their bodies synched in a lustful rhythm.
Amarna howls with excitement as Joel pounds her faster and deeper, thrusting her peachy ass back to meet every stroke, each telling the other what they want and how good it feels. Voracious Amarna is eager to suck Joel’s cock again, before he power bangs her in spoons, rubbing her clit to bring her to the brink of orgasm, then rolls onto his back so she can ride him in reverse cowgirl. She grinds her hips to take him deep, dismounts to suck him again, then straddles him in cowgirl and lets him fuck her to an intense orgasm and fill her with his hot load. She licks him clean, and chattering in Spanish they head into the shower together, having shared an illuminating and scorching slice of real-life erotica with us.
The two stars of Alis Locanta’s “Slippery When Wet,” Amarna Miller and Tracy Lindsay, make a striking and appealing couple. Miller’s vivid scarlet hair contrasts pleasingly with Lindsay’s blonde tresses, as do their complexions, the former creamily pale, the latter subtly sun-kissed. And they’ve got a genuine on-screen chemistry – in the opening sequence of the film they run hand-in-hand through an unanticipated rainstorm and their joy at sharing the experience is abundant and sincere. Their affection and mutual attraction isn’t diminished when they’ve stripped out of their wet clothes in the privacy of their shared flat.
Standing nude in the shower they kiss with passionate, playful hunger as the temperature in the glass-walled space begins to rise. An unexpected twist – not to be revealed here – adds fuel to the erotic flames as the two beauties savor the process of pleasuring one another. Miller is the first to reach orgasm thanks to Lindsay’s concentrated and deft ministrations, and when Amarna brings Tracy ecstasy it hits exquisitely hard, sending thrills coursing through her temptingly toned body. In the afterglow the twosome kiss and share the beauty of the moment with each other, and the viewer. Locanta ends his film with a short and stylish sequence featuring yet another sultry surprise that makes “Slippery When Wet” a most welcome bit wilder.
Spain’s Amarna Miller not only stars in “Qué Es La Pasión,” she also, in collaboration with director Alis Locanta, wrote the screenplay. Non-Spanish speakers may have a bit of difficulty understanding Miller’s brief introductory (and concluding) monologues, but her performance with Juan Lucho requires no interpretation — this is a story of a couple united in love and consumed with overwhelming sexual desire for one another. Miller may have expended considerable energy on the conception and execution of her screenplay, but she has vast reserves of expressive erotic fire at her disposal, and her performance here quickly reaches a rolling boil that is sustained until the film’s final moments. While the emotions, interactions, and reactions here are rich and complex, “Qué Es La Pasión” is actually quite simple.
Awake in bed with Lucho slumbering at her side, Miller introduces the film. We see the couple, clearly in love, kissing and indulging in a brief bit of spontaneous sex. Then, on a compact sofa, they go at it in earnest. While there is affection and romance in the air, there’s also a powerful undercurrent of ravenous hunger, and Lucho satisfies his by going down on Miller. To say that Miller is responsive is to understate — indeed, once she’s been primed, Amarna exists in a near-constant state of hyper-arousal through the entire session, and each orgasmic peak she achieves only paves the way for the ever more intense climaxes that follow. Lucho is a skilled and sensitive lover, and brings a vigorous physicality to this role, but this is Miller’s time to shine and she moans, quivers, shivers, humps, masturbates, sucks cock, and fucks with explosive abandon until semen drips from her open pussy and she collapses, completely satisfied, into Lucho’s embrace.
“Qué Es La Pasión” is a vivid testament to stunning power of desire, love, and raw lust.
The late, great, writer-director, and erotic cinema innovator Zalman King created the “Girls Love Sex” series for Sexart in the final phase of his career and life. Now Alis Locanta steps into King’s imposing shoes for his own interpretation of the master’s established format with “Ain’t Talkin’ ‘Bout Love,” the first installment of the “Girls Love Sex International” series. While the format doesn’t differ too greatly from the original, the film does have a distinctly European flavor.
Amarna Miller is the focus, star, and interview subject here. Seated on a couch she enthusiastically and candidly discusses her sexual history and her career as an erotic model. As the red-haired Spanish beauty grows more relaxed in the course of conversation she describes, in some detail, a relationship from her past. And when the memories of that intense and passionate entanglement overwhelm her with sensual recollections she terminates the interview and gives in to her erotic desires. What follows is an intimate, honest, sincere, and uninhibited episode of female autoeroticism.
By the time she has completely satisfied herself the viewer will be, likewise, completely satisfied, and will come away with a detailed and compelling impression of a beautiful young woman in her sexual prime. Honesty, intimacy, and explicit eroticism allow Alis Locanta’s “Ain’t Talkin’ ‘Bout Love” to speak a universally understood language.