Sex Art Models

Lola Reve – Don’t Forget Me

Synopsis: Alis Locanta’s “Don’t Forget Me” has a simple and concise subtitle: “a story about love.” In the opening moments of the film the stars – Lola Reve and Franck Franco – give the romantic theme real life with little more than exchanged glances, shared smiles, and loving looks as they walk along the seashore. After the title sequence concludes their love continues to blossom in the comfortable confines of their bedroom.

The chemistry that animates these lovers is abundant – the look in Reve’s glittering green eyes, and the smile on her lips as she admires her beau are as loving as they are lively, and the lovemaking that begins shortly thereafter is a thrilling mix of genuine affection, passion, and romance. Franco throws himself, face first, down on Reve, and it’s impossible to detect who is enjoying the oral sex more, the giver or the recipient. And that same quality is present when Reve gives an extended and skillful blowjob to her lover, sometimes using only her mouth, sometimes only her hand, and maintaining the erotic/romantic connection with prolonged and loving eye-contact with her partner.

The fucking that follows the foreplay continues in the same romantic/passionate spirit – they don’t linger or extend the experience, nor do they rush, there’s a perfectly natural pace to the proceedings. It begins in missionary, with Reve craning her graceful neck to view the pumping insertion; transitions to the spoon, with Reve adding a bit of self-stimulation as her arousal rapidly escalates; and finishes, almost ferociously, in reverse cowgirl, as Lola reaches a vocal orgasm, and then deftly brings Franck to a spurting finish. A final flirtatious segment features Reve posing and teasing in a wet micro-bikini and ends “Don’t Forget Me” on a memorable note.

Amarna Miller & Tracy Lindsay – Slippery When Wet

The two stars of Alis Locanta’s “Slippery When Wet,” Amarna Miller and Tracy Lindsay, make a striking and appealing couple. Miller’s vivid scarlet hair contrasts pleasingly with Lindsay’s blonde tresses, as do their complexions, the former creamily pale, the latter subtly sun-kissed. And they’ve got a genuine on-screen chemistry – in the opening sequence of the film they run hand-in-hand through an unanticipated rainstorm and their joy at sharing the experience is abundant and sincere. Their affection and mutual attraction isn’t diminished when they’ve stripped out of their wet clothes in the privacy of their shared flat.

Standing nude in the shower they kiss with passionate, playful hunger as the temperature in the glass-walled space begins to rise. An unexpected twist – not to be revealed here – adds fuel to the erotic flames as the two beauties savor the process of pleasuring one another. Miller is the first to reach orgasm thanks to Lindsay’s concentrated and deft ministrations, and when Amarna brings Tracy ecstasy it hits exquisitely hard, sending thrills coursing through her temptingly toned body. In the afterglow the twosome kiss and share the beauty of the moment with each other, and the viewer. Locanta ends his film with a short and stylish sequence featuring yet another sultry surprise that makes “Slippery When Wet” a most welcome bit wilder.

Kiara Lord – My City My Love

Kiara Lord, the star of “My City My Love” introduces the story in a voice-over narration as she walks the street of a picturesque seaside Spanish city. She has moved her, she explains, from Russia, and being all alone in a new place, no matter how beautiful or inviting, can be a lonely experience. But one day, while strolling the oceanfront promenade, she catches the eye of a passing stranger, Matt Ice. In that instant loneliness turns to love, and the rest of the film presents their courtship and the eventual consummation of their romantic relationship.

Director Andrej Lupin employs an unobtrusive style throughout the film — whether Lord and Ice are wandering through crowds of vacationing tourists, stealing a kiss, or in the throes of ecstasy, the focus is on the performers, not the filmmaker’s (considerable) technical prowess. And the performers, each charming and appealing as individuals, bring a palpable sincerity to their roles. It’s easy to see how they’d fall for one another, and it’s a pleasure to watch them flirt, play, tease, and enjoy each other in such a genuine, spontaneous, and entirely natural way.

When they do finally make love it is something they’re both clearly savoring. They’re in the moment, enjoying every second, sharing through touch, emotion, and eye-contact, and pulling the viewer into this intimate interlude with them. While the film is vividly explicit, the abundant heat in “My City My Love” is generated by the unaffected, unfeigned, entirely believable romantic connection these two gifted performers display here. “My City My Love” is the perfect belated Valentine’s Day treat — share it with someone you love.

Agatha & Silvie Luca – The Road Goes On 2

Sexart’s Alis Locanta released his original “The Road Goes On” in the middle of 2013. Now he revives the title, but “The Road Goes On Two” isn’t precisely a sequel, a more accurate description might be “variation on a theme.” When we first meet the stars – Agatha and Silvie Luca – they’re walking along a sunny lane, rucksacks on their backs, and obviously looking for a particular address.

When they find the house, and enter thanks to the hidden key that was waiting for them, the mood is energetically romantic. Wide-eyed at the beauty and luxury of their getaway location, they kiss repeatedly inside, and then outside in the backyard as they drink in the ocean view. In the bedroom their love, affection, and desire for each other takes flight. The two lithe, slender beauties, both topless and wearing panties, kiss in the warm afternoon light that fills the intimate space. And then they set to satisfying each other in earnest.

This isn’t a typical “you do me and then I’ll do you” encounter, there’s a fluid, spontaneous give and take that allows the lovers to flow seamlessly from one position to another, from one peak of pleasure to the next, the role of giver and receiver shifting as arousal and desire mingle and mesh. By the time “The Road Goes On 2″ reaches its conclusion each participant has experienced her own ecstasy, as well as a final simultaneous climax, and then an unexpected and bittersweet coda adds complexity and depth to an already thoroughly engaging cinematic experience.

Alexa Tomas, Lexie Dona – Together

A woman – Alexa Tomas – makes her way along the streets of a Spanish town, finally arriving at a train station. As she waits her face reveals nervousness and eager anticipation. When the person she’s been waiting for – Lexie Dona – finally arrives their reunion is joyful, and any nervousness evaporates instantly.

And once the two beautiful brunettes are reunited in “Together” they while away the hours wandering along picturesque boulevards, stealing a kiss, and strolling hand in hand on the beach. The following morning Lexie strokes the smooth skin of her still sleeping lover, drinking in the sight and feel she has been denied for far too long. After Alexa has awakened the twosome savor a long, leisurely, and passionate session of lovemaking. In between tender, lingering kisses Lexie pleasures her exceedingly receptive and responsive partner.

Lexie licks, sucks, and kisses Alexa’s glistening pussy hungrily, and then pumps two fingers insistently in and out of her moist slit until Alexa reaches a sweet and powerful climax. Alexa then primes Lexie with deep kisses and two thrusting fingers until Lexie rises from the bed, straddles Alexa’s face, and gets licked, sucked, and tongued to orgasm. Romantic, passionate, tender, and impressively genuine, Andrej Lupin’s “Together” gives the viewer an intimate view of two gorgeous women in a beautiful relationship.

Aiko Bell, Margot A, Whitney Conroy – One Day

With a bouncy pop tune as the soundtrack, Andrej Lupin’s camera surveys the exterior of a sleek, glass-walled home while, inside, Whitney Conroy and Margot A slice up and begin to snack on fresh watermelon. They’re soon joined by Aiko Bell, and, as they eat and chat, “One Day” appears to present nothing more than a day in the lives of three beautiful friends.

But later on, when Margot begins to make advances on Aiko, the nature of their relationship is at least partially revealed. And when Whitney walks in while Margot is petting Aiko’s pussy we realize this is less a three-sided friendship and more of a romantic triangle. Margot proceeds to eat and finger Aiko to a vigorous, full body orgasm as Conroy looks on. Then Whitney strips, straddles Aiko’s face, and Bell begins to ravenously feast on Conroy’s stunning and succulent sex until the beautiful blonde quivers and yelps through her own powerful climax.

After stripping off her white leggings, Margot parts her thighs and Whitney goes to work, licking and fingering her insistently until the freckled fox achieves her fair share of orgasmic pleasure. As evening descends the three lesbian lovers drink, dance, and play with spontaneous and genuine delight in each other’s company. Lovers of sapphic erotica will find both stunning beauty and incendiary erotic action in the three-way captured in “One Day.”

Cristal Caitlin – Volcano

The alarm rings, it’s just after six in the morning. Matt Ice is the first to rise, followed by his still-groggy girlfriend, Cristal Caitlin. After loading their vehicle with gear, they head for their early morning destination. When the arrive at the rocky, desolate location the title of Andrej Lupin’s “Volcano” comes into sharper focus. Ice is a photographer inspired by the eerie beauty of the volcanic landscape, and the opportunity to capture this rugged, otherworldly setting in the unique light of early morning is impossible to resist.

But, then, so is Cristal Caitlin. After framing a few shots the lovers kiss, and then the photo project is abandoned in favor of a far more involving endeavor. With the volcanic soil crunching underfoot, Cristal gives Matt a thorough sucking, her face bathed in the rays of the rising sun. Then Cristal takes a seat and Matt buries his face in the warm, inviting haven of her pussy, breaking his fast with her moist flesh. With their bed miles and miles away, and not even a towel to provide an impromptu cushion on the rocky ground, the lovers begin to fuck standing upright. Cristal then bends over, steadying herself on an outcropping, as Matt continues to plunge and pump.

A final position change finds Matt seated, with Cristal straddling him. Soon her moans and cries of orgasmic delight are echoing across the broken terrain as Matt ejaculates deep within her, ending “Volcano” with a lava flow of an entirely different variety.

Aiko Bell & Blue Angel – Flash

Director Andrej Lupin has more than a little bit of fun with the stylish opening sequence of “Flash.” It begins with extreme close-ups of a girl – or is it two girls? – waking up in the morning. The close shots and constant cutting make it difficult to know exactly who is doing precisely what, but eventually we realize that Aiko Bell and Blue Angel are performing their ablutions, applying makeup, and getting dolled up in alluring lingerie, flattering and fashionable clothes, and appropriately sexy sky-high stiletto pumps.

When the two beauties are finally united in a single frame all the effort spent in preparation yields exceedingly quick results. Seated or reclining on low benches and a leather settee in what may be a dressing room in a luxurious home, the twosome begin to kiss. Without removing much of their clothing they proceed to savor one another, Blue sucks Aiko’s pert breasts first, and then Aiko does the same to Blue’s puffy-nippled treats. After briefly licking and sucking Aiko’s pussy, Ms. Bell treats Ms. Angel to a loud and luscious orgasm. Then Aiko straddles Blue’s face and gets licked and sucked to a knee-trembling climax that puts a satisfied smile on her face and a sheen of perspiration on her lean and shapely torso.

But “Flash” isn’t finished – with a quick shift in position Bell moves into a sixty-nine atop Angle and they suck and finger one another to a final, feverish, mutual orgasm. The sizzling stars of “Flash” are all dressed up with no place to go, but they’re in the perfect location to come, and come, and come again!

Anissa Kate – Incandescence

Alis Locanta’s highly stylized single girl series, “Incandescence,” follows a fairly rigid format, and that is handily summarized by the subtitle appended to each edition: “A Doll Story.” And while each episode features a female “doll” coming to lusty life and then satisfying long-dormant sexual desire, the constraints of the format give each performer who takes on “the doll role” an opportunity to create a unique and intensely personal work of self-expression.

In this, the third offering in the series, Anissa Kate makes her first ever appearance in a Sexart production. With a music box providing the now familiar soundtrack, and standing in a room lighted by various lamps as well as bare bulbs, the process begins. As her heart begins to beat and her fever begins to rise Anissa’s hands begin to caress, grope, and squeeze the ample breasts concealed by her blouse. She tears at the garment, exposing two stunningly large orbs.

After teasing the nipple of each hefty tit with her tongue, Anissa’s attentions move in a southerly direction. She rubs her crotch through the fabric of her snug skirt, then unzips and lets it fall to the floor revealing a simple garter belt and stockings. With a focus sharpened by hunger, she goes to work, fingering and caressing her sex, first with one hand, then with both, stroking, rubbing, and penetrating herself until she gets what she’s been waiting for. As Anissa Kate’s orgasm fades the screen fades to black. During the credits she reappears, this time standing in a shower, dripping wet, in a sheer bikini that graphically highlights her voluptuous body and sultry screen persona. Anissa Kate’s turn in “Incandescence” is a turn-on, in more ways than one.

Taylor Sands – Fantastico

Alis Locanta introduces the stars of “Fantastico” – Taylor Sands and Joel (making his Sexart debut) – in two different settings. They’re shown lounging on a bed, as well as seated on a couch. In both locations they’re fully clothed, and in either setting the performers effortlessly convey the sense of lovers in the early, and rapidly escalating, stages of romantic attraction. They chat, they laugh, they joke, confide, and reveal, and in the process they move ever closer to physical union. After this deft and engaging introduction, “Fantastico” unfolds. The couple are on the sofa, but now clad only in undergarments.

Joel removes Taylor’s black panties and begins to pleasure her with his tongue. Taylor, a smile never too far from her luscious lips, delights in his attention and responds quickly and vocally. She responds so powerfully, in fact, that she abruptly pulls away to postpone her own pleasure, kisses Joel, and then proceeds to happily and hungrily suck his cock. She then climbs astride her partner and they begin to fuck, first cowgirl, then reverse, then a powerful bout of spooning, followed by an even more powerful missionary pump to a particularly wet as well as happy ending.

The tender kisses and warm smiles on their faces let us know that love – and lust – is most definitely in bloom. In a stylish monochrome epilogue Sands tempts and teases while wearing a sheer, oil-saturated micro-bikini – “Fantastico,” indeed.

Ariel Rebel – Incandescence

Although this is the second installment in Alis Locanta’s “Incandescence” series, it is assigned no volume or chapter number, and none is needed. Because the narrative is so simple – and concisely encapsulated by the subtitle “A Doll’s Tale” – each actress who performs in the solo series has free rein to put her own unique stamp on the title. And, as is made abundantly clear in this instance, “Incandescence” is particularly well suited as an introductory vehicle for a new star.

French-Canadian Ariel Rebel, making her first ever appearance in a Sexart production, is assigned the doll role here, and with her big brown eyes and delicate features one might consider this an instance of type casting. But Rebel not only looks the part, she also convincingly embodies a doll undergoing a vivid and intense – if only temporary – experience as a living, breathing, feeling woman. Standing in a room with numerous lamps as well as bare bulbs hanging from the ceiling Rebel makes a fine first impression in her short, tight skirt, black hose and garters, and sheer black blouse over a sheer black bra. Although the camera cuts away periodically and moves in for detailed close-ups, its major role is of mirror, and Ariel gazes into it intently as her newly discovered erotic desires begin to percolate.

The process of awakening and arousal isn’t instantaneous, but once it’s begun there’s no stopping it, and after she’s groped, stroked, and fingered herself to a fever she drops into a squatting position and vigorously probes herself to a thrilling, expressive, finish. An epilog that runs under the credits is subtitled “A ‘Lube Experience’ Dedicate to Rose,” and features an entirely – and adorably – human Rebel indulging in a brief bit of oil-assisted solo play that everybody (Sexart insider or not) is sure to enjoy.

Helena Sculptura – Racetrack

Andrej Lupin’s “Racetrack” begins with a burst of high, playful energy. Helena Sculptura (in her Sexart debut) and Thomas Lee are in the middle of a fierce video game battle, but when Lee’s car begins to pull away from the pack and Sculptura’s chances of victory dwindle she loses interest in the contest. And that’s when “Racetrack” shifts from frantic to romantic. Straddling Lee, the couple begin to kiss.

When Sculptura’s cozy robe falls open a plush and voluptuous body is revealed, and Lee is powerless to resist. After rubbing his erection with her shaved pussy, Sculptura takes it in her hand and guides it inside. The slow and rhythmic rise and fall of her full, round rump sets the pace as the twosome savor the sensations of leisurely mid-morning sex. There is nothing at all hurried about this interlude, and it flows at a natural, easy pace. After a brief pause Sculptura moves into the reverse cowgirl posture, and then the twosome transition to a spoon position.

This is followed by a sixty-nine that satisfies oral appetites and primes both partners for the final stage of their tryst. Face to face, with Sculptura on her back, Lee vigorously pumps Helena to a breathy and vocal climax, followed shortly thereafter by an internal ejaculation. In this engaging offering two appealing performers create a spontaneous and genuine slice of romantic life to put “Racetrack” in the winner’s circle.