Sex Art Models

Ariel Rebel – Incandescence

Although this is the second installment in Alis Locanta’s “Incandescence” series, it is assigned no volume or chapter number, and none is needed. Because the narrative is so simple – and concisely encapsulated by the subtitle “A Doll’s Tale” – each actress who performs in the solo series has free rein to put her own unique stamp on the title. And, as is made abundantly clear in this instance, “Incandescence” is particularly well suited as an introductory vehicle for a new star.

French-Canadian Ariel Rebel, making her first ever appearance in a Sexart production, is assigned the doll role here, and with her big brown eyes and delicate features one might consider this an instance of type casting. But Rebel not only looks the part, she also convincingly embodies a doll undergoing a vivid and intense – if only temporary – experience as a living, breathing, feeling woman. Standing in a room with numerous lamps as well as bare bulbs hanging from the ceiling Rebel makes a fine first impression in her short, tight skirt, black hose and garters, and sheer black blouse over a sheer black bra. Although the camera cuts away periodically and moves in for detailed close-ups, its major role is of mirror, and Ariel gazes into it intently as her newly discovered erotic desires begin to percolate.

The process of awakening and arousal isn’t instantaneous, but once it’s begun there’s no stopping it, and after she’s groped, stroked, and fingered herself to a fever she drops into a squatting position and vigorously probes herself to a thrilling, expressive, finish. An epilog that runs under the credits is subtitled “A ‘Lube Experience’ Dedicate to Rose,” and features an entirely – and adorably – human Rebel indulging in a brief bit of oil-assisted solo play that everybody (Sexart insider or not) is sure to enjoy.

Helena Sculptura – Racetrack

Andrej Lupin’s “Racetrack” begins with a burst of high, playful energy. Helena Sculptura (in her Sexart debut) and Thomas Lee are in the middle of a fierce video game battle, but when Lee’s car begins to pull away from the pack and Sculptura’s chances of victory dwindle she loses interest in the contest. And that’s when “Racetrack” shifts from frantic to romantic. Straddling Lee, the couple begin to kiss.

When Sculptura’s cozy robe falls open a plush and voluptuous body is revealed, and Lee is powerless to resist. After rubbing his erection with her shaved pussy, Sculptura takes it in her hand and guides it inside. The slow and rhythmic rise and fall of her full, round rump sets the pace as the twosome savor the sensations of leisurely mid-morning sex. There is nothing at all hurried about this interlude, and it flows at a natural, easy pace. After a brief pause Sculptura moves into the reverse cowgirl posture, and then the twosome transition to a spoon position.

This is followed by a sixty-nine that satisfies oral appetites and primes both partners for the final stage of their tryst. Face to face, with Sculptura on her back, Lee vigorously pumps Helena to a breathy and vocal climax, followed shortly thereafter by an internal ejaculation. In this engaging offering two appealing performers create a spontaneous and genuine slice of romantic life to put “Racetrack” in the winner’s circle.

Eveline Neill – One Night

It’s early in the morning. Lutro, sleeping soundly, is oblivious. The camera, moving unsteadily through the room strewn with hastily removed clothing, shifts blearily in and out of focus. Eveline Neill is seated on the foot of the bed. Her hair, like the sheets, is in disarray. In flashback we see how her hair, and the bedding, got so disheveled. In the morning her expression is ambiguous, strained, slightly melancholy perhaps. But the previous night, that “One Night” that gives Andrej Lupin’s film its title, she was as pretty as a picture, as happy as a lark, and eagerly joined Lutro for a passionate, spontaneous hook-up.

Although it cuts periodically to the following morning, the subject of the film is what happened the previous night. Swept up in their mutual attraction the couple make out feverishly. Stripped of everything but her pretty panties, Lutro dines on the evening’s delicacy, Eveline’s smooth, wet, hairless, and eager pussy. She’s responsive, alive, electrified by the touch of his tongue. With appetites of her own and a desire to please, Eveline proceeds to give suck to Lutro’s cock. Suitably inflamed by this extended foreplay the couple unite in an upright clinch that places Eveline in the cowgirl position.

She rides, first at a canter and then at a gallop. As their lust builds the couple shift from one position to the next, attentive to one another, but focused on pleasure. Her orgasm comes first. And by doing so it hastens his. Then, spent, they surrender to contented sleep. The morning may bring regret or second thoughts. But that night, that “One Night,” was everything two people could possibly want.

Grace C & Iwia A – The Audition

Among Alis Locanta’s most notable virtues as an artist is his versatility. He’s as comfortable and confident with richly detailed long form narratives as he is with virtually plot-free single-girl masturbation features. “The Audition” boasts the spare simplicity of a single girl production, with the added bonus of featuring two girls.

And Locanta has cast a particularly appealing pair here: Iwia A and Grace C. The film takes place in a colorful, simple, and stylishly decorated bedroom. Grace sits on the bed studying a script and helps Iwia with her lines as she films an audition video with a tripod-mounted camera. This scant bit of “plot” is something of a visual appetizer and once the auditioning is done the girls devote their attention to one another. With Iwia nude and on all fours, Grace slides underneath her and delicately licks and kisses her pussy and clit. Then Grace strips off her white panties and tank top and Iwia returns the favor.

There’s nothing dramatic, theatrical, or overblown about this interlude, it’s simply two exceptionally beautiful girls enjoying a bit of casual but rewarding lesbian sex play. After fingering Grace from behind the two petite beauties recline, side by side, and using a single hand apiece, masturbate each other to orgasm simultaneously.
Iwia A, Grace C, and Alis Locanta all pass “The Audition” with flying colors.

Tracy Lindsay – Lost in a Dream Vol 5

If you’re already a fan of Czech sensation Tracy Lindsay the latest installment of Alis Locanta’s “Lost in a Dream” series is the erotic feature you’ve been dreaming of. True to the formula established in previous installments, the film begins with a view of the star as she sleeps. In this case Tracy is slumbering in a hammock. She’s wearing a filmy pink top and a pair of white panties, and her dream is animating both her imagination as well as her sleeping body.

The dream that Lindsay gets so understandably lost in is about herself, and it falls into three engaging segments. While each of the three phases of Tracy’s dream involve heated and extended bouts of highly-charged masturbation, each one is subtly unique and distinctive. In the first segment Lindsay, clad in a micro-thong and sheer top, ascends a flight of stairs and pauses on the landing. Standing throughout, she proceeds to masturbate, strip off what little she’s wearing, and masturbate some more, with ever-increasing intensity, until she climaxes. After a brief return to sleeping Tracy the second segment unfolds. Here the lingerie has changed, we get a glimpse of her red suede stilettos, she performs while seated on a wicker stool, and we quickly realize that a sex toy has already been inserted in her pretty pussy.

That toy – a hot pink mini-dumbbell consisting of two thick spheres – along with her two active hands deliver the second orgasm of this delicious dream. The heat rises still higher in the concluding segment as dream Tracey frigs and fingers herself to an explosive finish, which is followed by yet another climax as sleeping Tracy returns to satisfied consciousness. And if the viewer is the slightest bit dazed and groggy after witnessing all that beauty and unrestrained sexuality, the film concludes with a punchy, bracing, high-energy epilogue that ends “Lost in a Dream Volume #5″ with a stunning audio-visual bang.

Tracy Smile – Soldier

It’s not easy to pigeonhole a director like Sexart’s Andrej Lupin. He moves with ease from a lighthearted series like “Snow Fun,” to the intrigue and explosive action adventure of “The Game,” and then indulges in stylish nostalgia with “Vintage Collection.” Clearly, as he explores the potential of erotic cinema, Lupin isn’t afraid to take risks and defy convention, and with “Soldier” he offers his most emotionally charged work to date. In her Sexart debut, Tracy Smile takes on the role of a young military wife.

When she receives the news every soldier’s spouse dreads, her world crumbles. Wracked with grief, she struggles to come to terms with the loss of her husband (Tim Bauer). And as she wanders through the home the loving couple shared, she allows herself the pleasure and comfort of recalling the happiest days of their time together. Hours spent strolling hand in hand, a shared smile, a kiss, a fast and passionate fuck in front of the fireplace are all fondly recalled. But sadness returns quickly and with oppressive weight. The sight of two toothbrushes in the bathroom triggers an emotional upwelling far more profound than the simple, mundane objects themselves.

Photographs of the happy couple proudly displayed around the house evoke memories of passion, affection, and overwhelming attraction – and quiet mornings spent making love endlessly. “Soldier” doesn’t apologize for its weighty emotions, it celebrates them, and in honoring love lost it reminds us that war is hell, and that love can create heaven here on earth for those who are willing to surrender completely to its power. Beautifully performed, and rendered with great thought and moving sensitivity, “Soldier” artfully balances the bitter with the sweet to craft a rich, rewarding, and powerful work of erotic cinema.

Vanda Lust – Surprise

Andrej Lupin’s “Surprise” is Vanda Lust’s second appearance in a Sexart erotic feature, and it’s also her first scene on the site with a male partner. But, in addition to those statistical facts, it’s also a bona fide star-turn and an engaging and heated performance that must be seen to be completely appreciated. As the film opens Vanda is getting dressed. She’s chosen her outfit deliberately, and the purpose of her costume gives the film its title. That costume consists of demure white thigh-high hose, a button-front white blouse, a pair of embellished white high-top sneakers, and that universally understood symbol of naughtiness, a short, plaid skirt.

After stealthily climbing the stairs to present her “Surprise,” Vanda joins Lutro in the study. But Lutro, deeply involved in the book he’s intently reading, isn’t moved by Vanda’s outfit or her advances. Indeed, Lutro resists for longer than seems humanly possible before giving in to Lust’s teasing come-ons. But once the bookish stud agrees to stop reading he also assumes the dominant role and treats this beautiful, mischievous nymphet with a firm and aggressive hand. And, in the course of the scene, that hand brings out a rosy glow on the firm, round cheeks of Vanda’s beautiful backside. Her pert tits get sucked and nibbled, then Lutro slurps, licks and sucks Lust’s up-thrust cunt. This little minx is extremely responsive, giggling, moaning, and gasping as she’s orally pleasured, front to back, and back to front. Lust is no less responsive when Lutro begins fucking her, or when she’s fucking him back. Ass-slapping continues to add urgency to the action, a pause for some skilled cock-sucking includes genuine enthusiasm and beguiling eye-contact, there’s more solid, sizzling, fuck-action, and “Surprise” reaches it’s ultimate climax, both literally and figuratively, when Lust gleefully sucks and jerks a generous load from her partner’s prick.

An irresistible starlet, heated performances, and searing sex make “Surprise” a very pleasant surprise, indeed.

Amarna Miller – Que Es La Pasion

Spain’s Amarna Miller not only stars in “Qué Es La Pasión,” she also, in collaboration with director Alis Locanta, wrote the screenplay. Non-Spanish speakers may have a bit of difficulty understanding Miller’s brief introductory (and concluding) monologues, but her performance with Juan Lucho requires no interpretation — this is a story of a couple united in love and consumed with overwhelming sexual desire for one another. Miller may have expended considerable energy on the conception and execution of her screenplay, but she has vast reserves of expressive erotic fire at her disposal, and her performance here quickly reaches a rolling boil that is sustained until the film’s final moments. While the emotions, interactions, and reactions here are rich and complex, “Qué Es La Pasión” is actually quite simple.

Awake in bed with Lucho slumbering at her side, Miller introduces the film. We see the couple, clearly in love, kissing and indulging in a brief bit of spontaneous sex. Then, on a compact sofa, they go at it in earnest. While there is affection and romance in the air, there’s also a powerful undercurrent of ravenous hunger, and Lucho satisfies his by going down on Miller. To say that Miller is responsive is to understate — indeed, once she’s been primed, Amarna exists in a near-constant state of hyper-arousal through the entire session, and each orgasmic peak she achieves only paves the way for the ever more intense climaxes that follow. Lucho is a skilled and sensitive lover, and brings a vigorous physicality to this role, but this is Miller’s time to shine and she moans, quivers, shivers, humps, masturbates, sucks cock, and fucks with explosive abandon until semen drips from her open pussy and she collapses, completely satisfied, into Lucho’s embrace.

“Qué Es La Pasión” is a vivid testament to stunning power of desire, love, and raw lust.

Silvie Luca & Tracy Lindsay – Txt Us

In October of 2013 Sexart released Alis Locanta’s “Txt Me,” a single-girl feature that starred Michaela Isizzu – it was also her debut appearance at the site, and is highly recommended. For “Txt Us,” Locanta further explores and expands upon the premise of the original.

Tracy Lindsay and Silvie Luca – as tempting a blonde/brunette duo as one could possibly imagine – play a pair of friends embarking on a mysterious assignment. Their faces a mixture of caution and excitement, they ride the elevator in a high rise building. They enter a suite of rooms – whether it’s an apartment or an office is never made clear. Silvie’s phone rings, she’s received a text message that reads: “You can’t see me, but I can see you!” And so the plan unfolds. The unseen messager/voyeur has left two outfits on a table – he (or she) instructs the girls to put them on, or, rather, to dress each other.

As they follow the texter’s directions the two beauties become more and more involved in the game, and in each other. And, once they’ve dressed each other, they proceed, one after the other, to undress their partner and make love to her. Tracy, on her knees, eats and fingers the standing Silvie to a loud and exquisitely intense orgasm. And then Silvie strips, licks, fingers, and sucks Lindsay’s pussy until she, too, achieves a powerful climax.

While the texter remains silent as the film moves to its conclusion, the two women, as well as the viewer, can’t help but be intrigued, impressed, and satisfied by “Txt Us.”

Alexis Brill – Waltz With Me – Autumn

Alis Locanta, in collaboration with scenarist Alan Russell, utilizes the circular, rhythmic flow of the seasons as a central thematic, structural, and technical component in this, the first installment of four-part feature series “Waltz with Me.” The film stars Alexis Brill and Franck Franco, and as it begins they meet in the middle of an airy loft apartment where “Waltz with Me Chapter 1 – Autumn,” and the three subsequent episodes all take place. Locanta has a long history with both his stars – he directed each of their Sexart debuts, Brill in “Angel,” and Franco in “Turning Point.” Both have since established themselves as versatile, appealing, and confident performers, and “Waltz with Me Chapter 1 – Autumn,” provides a fine showcase for their talents.

Brill and Franco are entirely convincing as a young couple, very much in love, beginning an important and exciting phase of their lives together – there is joy and sincerity in the way the work and play together, and there is tenderness and passion when the make love. That lovemaking takes place on a bed in the center of the space, and Locanta’s agile camera, ever on the move, circles the duo as they explore and experience each other – an all-seeing moon orbiting a flaring sun of eroticism. The action has a natural, spontaneous flow: Brill enhances a blowjob with much loving eye-contact, she then straddles Franck and rides him, a gorgeous cowgirl, tall in the saddle. After a position change, Franck pauses to eat a particularly responsive Alexis, and they reach a splashy finish after screwing in the spoon position.

“Waltz with Me Chapter 1 – Autumn” begins the series with a beautiful bang…and there are still three seasons to look forward to.

Melena A – 123 Fahrenheit

Melena A is the stuff Top Models are made of. As this is written she’s #10 at Sexart, and she earns similar lofty ratings at other sites in the Metart Network.
Her still galleries tell part of the story – she’s blessed with a beautiful face, long, flowing hair, and a leggy, nubile body that is the very picture of perfection. But it’s in her movie performances where Melena A’s talents – both physical and emotional – can be fully appreciated. In “123 Fahrenheit” those talents are front and center and the result is a film that instantly grabs the viewer’s attention, and then steadily ramps up the erotic intensity until the film’s final seconds. Alis Locanta toys with the timeline in the first minutes of the film.

Melena A is in the midst of a refreshing shower, then she’s seen primping, preening (and being utterly adorable) before undressing. The film then commits to the extended shower sequence at the center of “123 Fahrenheit.” Warm water – from overhead or sprayed from a hand-held nozzle – flows across Melena’s body, and through the entire film. It lubricates her hands as they explore her body, and it wets her fingers as they probe her pussy and stroke her clitoris. Melena, standing, masturbates to a series of ever-bigger climaxes. When her arousal overwhelms her balance she slides down and, seated on the shower floor, strokes and fingers herself – again, in stages – until one final orgasm that explodes with dazzling intensity.

No amount of water can quench this fire – Melena A sizzles and “123 Fahrenheit” is a scorcher.

Silvie Deluxe – Just A Minute

With “Just a Minute,” director Andrej Lupin has crafted a lively, natural, genuine, and engaging slice of romantic domestic life. It’s mid-day and a young couple are in the kitchen. Silvie Deluxe stands at the counter preparing a meal and chatting with Thomas Lee. But Lee is in the middle of a game he’s playing on his smart phone and isn’t holding up his half of the conversation, earning a reprimand from his beautiful partner. In an effort to make amends he joins her at the counter and begins to caress and kiss her, even as she continues her food preparation.

Eventually, however, Deluxe gives in, and the couple – who display an uncommon and engaging ease with one another – kiss, basking in shared affection. That affection turns to arousal and desire and, once clothing has been cast aside, erect cock penetrates wet and welcoming pussy. The couple fuck, standing upright, with only the counter for support, before spreading out on the kitchen floor where Deluxe takes the opportunity to treat Lee to a bit of a blowjob before straddling him and riding him in variations of the cowgirl position.

Shortly after rolling onto their sides, Lee drives Deluxe, and himself, to a final, passionate and satisfying finish. Director Lupin’s light touch, and the effortless, passionate, and sincere performances of Deluxe and Lee create a perfect portrait of a romance in full bloom. What’s cooking in this kitchen? Find out in “Just a Minute.”