Sex Art Models

Margot A & Whitney Conroy – Waiting For You

Whitney Conroy is up to her beautiful neck in warm water and luxuriant, perfumed bubbles as “Waiting for You” begins to unfold. But Conroy’s soul-soothing bath is interrupted by the appearance of Margot A, a bottle of wine and two glasses in hand. Margot then exits the bathroom and takes a seat outside on the patio. There is no verbal invitation or instruction, and none is needed. Conroy rises from the tub and walks outside to join her lover. After drinking a toast the wine is put aside and the twosome indulge in something far more intoxicating: the pleasure of each other’s flesh.

With Margot clad in nothing more than a scant leopard print robe, Whitney gains easy access to her shapely body. She sucks and kisses Margot’s ample breasts, deep kisses her beautiful mouth, and then moves down for a long, leisurely, and loving session of cunnilingus. It’s clear from the pace and the passion of the proceedings that these lovers are finely attuned to one another. Whitney knows exactly what will deliver maximum pleasure and her lovemaking is focused, attentive, and results in a slow burn leading to a final exquisite orgasm.

Whitney has already achieved a high level of arousal by the time Margot begins to pleasure her. Teasing kisses are a prelude to skillful pussy eating, and Whitney doesn’t simply lay there and enjoy it, she’s an active participant, rocking her hips and rolling her succulence across Margot’s eagerly extended tongue. With Whitney masturbating and Margot fingering and licking away, Conroy reaches a particularly powerful full-body climax that is a joy to witness. Stylishly rendered and lovingly and passionately performed, “Waiting for You” just might be the lesbian erotic film you’ve been waiting for.

Nataly Von – Hotel Episode 2 – Deja Vu

Synopsis: Andrej Lupin’s “Hotel Episode 2 – Deja Vu” begins where the previous installment left off, with lesbian lovers Chelsy Sun and Nataly Von together in their hotel room bed. Nataly is the first to wake, and shortly after she does the film heads in an unexpected – but welcome – direction. After a leisurely shower Von, wearing only a towel, enters an adjoining room and her eyes twinkle with delight when she finds Matt Ice, asleep on the bed. She drops her towel and with gentle caresses she rouses him from his slumber.

Ice is pleasantly surprised by the arrival of this beautiful, if uninvited, guest, and they’re soon kissing. After exploring and penetrating Nataly with his fingers Ice moves to her feet, licking and sucking her toes, kissing her feet, and then feasting on her pretty pussy. Whether they’re fucking in any of several positions, or when Nataly skillfully fellates her impromptu partner, the action is punctuated and enhanced by frame-filling close-ups that underscore the emotional connection and physical attraction the couple share. Nataly is the first to reach orgasm, stroking her clit as Matt pumps her to ecstasy. And Von takes matters into her own hand seconds before Matt reaches his own peak and strokes him to a splashy finish.

There is a twist that come into play along the way, but you’ll find no spoilers here – it’s highly recommended that you check into “Hotel Episode 2” at your earliest opportunity and experience it for yourself.

Julia Roca – J&J

Synopsis: “J&J” is named for its two stars – Julia Roca and Juan Lucho – and is something of a lusty love story. And just as a romantic couple is composed to two separate individuals, “J&J” consists of two contrasting elements. Much of the film takes place during the day, in a white room with white shades that diffuse the abundant natural light. The lovers are both clad in white underwear, and they kiss with passion, desire, romance, and bit of pleasing playfulness.

It is in this daytime space that Lucho eventually goes down on Roca, and his agile and insistent tongue soon has her moaning with pleasure and absolutely beaming with love and affection for her partner. But the couple are also presented in a far different setting. Here it is obviously late at night. Dance music throbs from somewhere else in the building – perhaps they’ve wandered upstairs or backstage in a nightclub. In this unlikely spot they kiss and fondle each other, but the mood is entirely different. No less loving, no less passionate, but more raw, more edgy. And “J&J” moves between the two spaces as Julia and Juan move through an extended session of lovemaking. In the nighttime space Julia ravenously sucks and vigorously strokes Juan’s cock.

In the daytime space the tempo and intensity of Roca’s blowjob is subtly altered – it’s every bit as hot, just absent the mood and attitude of the nocturnal encounter. That daytime blowjob is followed by fucking, first in the cowgirl position, then its reverse. And through it all, even as her arousal increases, Julia is radiant, spontaneous, naturally expressive, and fully caught up in the romance and passion of the moment until orgasm overwhelms her. The scene then changes once more, and in that shadowy room the fucking continues until Lucho erupts deep inside his lover. “J&J” offers a multidimensional portrait of a couple very much in love (and lust).

Alexa Tomas & Tracy Lindsay – The Heat 3

One of director Alis Locanta’s most recognizable stylistic signatures is the inclusion of a brief epilogue at the end of his erotic features. He does that in “The Heat 3,” but he also deviates from his established pattern by including an unexpected – but most welcome – prologue, as well. Here headliner Tracy Lindsay, in behind the scenes fashion, talks directly to the viewer and even mentions a handful of Sexart’s most prolific and outspoken commenters by name.

It’s a rare and engaging glimpse of a talented and popular performer that underscores the interactive, collaborative nature of the greater Sexart community. After the introduction, “The Heat 3” gets down to the style and substance that defines the series. With the familiar theme music adding its provocative flavor, Lindsay and costar Alexa Tomas put on a show for one another. While there’s some ambiguity in this stylized footage, the raw beauty and steamy sensuality of the performers is rendered with vivid impact. While there is a certain nonlinear flow to the events, the film consists of, roughly, two segments. In the first, Alexa is pleasured – manually, digitally, and orally – by Tracy.

For much of this sequence Tomas remains standing, but as her excitement builds her legs become unsteady and she’s seated when Lindsay brings her to a final, vocal, climax. In the second segment Lindsay is seated on a kitchen counter. But rather than simply reversing roles and accepting Alexa’s attentions, here Lindsay spends a fair amount of time stimulating herself with an able assist from her Spanish lover, and with an altogether satisfying result. Although it boasts its share of twists and surprises, “The Heat 3” carries the series forward with style, beauty, and eroticism that ranges from subtly sultry to simply scorching.

Kiara Lord – Rejoice

Synopsis: Matt Ice is sitting by the pool and talking on the phone when Kiara Lord ambles up. Lord wants to play but Ice is immersed in the conversation he’s having. So Kiara begins to mercilessly tease her lover, giving him an unrequested lap dance and exposing her magnificent breasts until Matt has no choice but to conclude his call and give his girlfriend the attention she so clearly craves.

But Kiara is in a playful mood this afternoon and she makes Matt chase her, completely shedding her top in the process, and then running into the house. The lovers wind up in the home’s gym, and Matt quickly strips Kiara of her white denim cut-offs and begins to eat her succulent pink pussy. This is clearly what Kiara has been waiting for, and she’s soon moaning and quivering with sexual delight. After Lord has expertly sucked Ice’s erection she steps into the dipping station and he enters her from the rear and begins to pump – the sensations of cock inside pussy and their reflection in an adjacent mirror quickly raise the temperature in the room from simmering to sizzling.

After banging for a bit on a dumbbell rack the twosome move to an adjustable bench, first in the incline position for and upright cowgirl ride, and then Matt unexpectedly shifts the bench to flat where they reach an orgasmic crescendo capped by an internal eruption. Lighthearted, romantic, energetic, vigorously erotic – and enhanced by stunning close-up camerawork – “Rejoice” is filled with affection, love, beauty, and sex that’s worth celebrating.

Anissa Kate & Ariel Rebel – I’ve Been Missing U

Synopsis: Although he has countless technical, creative, and stylistic tools at his disposal, director Alis Locanta can also craft an engaging narrative with a minimal number of ingredients. In his lesbian love story “I’ve Been Missing U,” the title serves as the script and the simple statement provides all the direction the film’s stars – Anissa Kate and Ariel Rebel – need in the way of motivation and character development. The film begins on a distinctly retro note, with a subtly blurred celluloid image and a nonspecifically nostalgic soundtrack. And with one kiss and an erotically charged embrace the sense of sexual longing and desire is made apparent. The subsequent action is simplicity itself.

Anissa and Ariel sit facing one another on an upholstered bench. They are both topless and wearing panties. While not precisely opposites, the two women are distinctly different types. Anissa, statuesque, bosomy, with black hair and a bronze complexion stands in contrast to diminutive, delicate, pale and petite Ariel. Their striking visual differences may help explain their attraction for one another, but their sexual hunger is abundant and quite equally matched.

Bathed in the light of a sun hanging low in the afternoon sky, they make love – Anissa tends to Ariel first, and then the roles are reversed, with equally satisfying results. In a stylized epilogue Anissa takes the role of dominant Amazon and administers a spanking to eagerly submissive Ariel, adding a touch of erotic complexity to the simple pleasures of “I’ve Been Missing U.”

Erika Black – Masseur (2015)

Synopsis: As “Masseur” begins It’s just another day at the office for Matt Ice, in the title role, as he prepares for his next client. And, as he spreads oil and starts to massage (Sexart first-timer) Erika Black’s back, everything appears routine and run of the mill – a skilled professional providing soothing service to an appreciative customer. But then, while Ice attends to Black’s shoulders, she opens her eyes and finds herself staring at Matt’s crotch, mere inches from her face. The intimacy of the setting, and Matt’s skilled hands have unintentionally created an idea and an opportunity. Erika reaches out and caresses Matt. Then she releases his erection from his shorts and eagerly sucks it.

But Ice is torn – he’s a man, but he’s also a professional – and he removes his cock from Erika’s mouth, replaces it in his pants, and resumes the job he’s been paid to perform. But that brief bit of sex-play has only increased Erika’s desire. She teasingly removes the towel that’s been covering her backside, and as Matt goes to work on her now exposed ass, his professionalism gives way to his passion. First he strokes and caresses Erika’s clean-shaven sex, then he vigorously probes her with two thrusting fingers, and then inserts his rigid muscle inside his gorgeous and glistening client, and they begin an extended, passionate, and powerfully satisfying screw with massage table as mattress. A

fter she’s had her fill of cock and climaxes Erika pulls Matt from her pussy, and then energetically milks a copious load of his cum onto her beautiful body. Relaxed and thoroughly satisfied, Erika heads for the shower and Matt is left to ponder the fringe benefits of life as a “Masseur.”

Gina Gerson & Linda Sweet – Skyline

Synopsis: Andrej Lupin’s “Skyline” opens on an elegant and romantic note as Linda Sweet and Kristof Cale admire the nighttime view from the veranda of their home high in the hills. But the couple is not alone – in the background a female figure can be seen watching them. And when the watcher – Gina Gerson – walks up and joins them the night begins to simmer, then sizzle, and then scorch as the trio give in completely to their overwhelming mutual attraction.

It starts with a kiss as Linda and Gina savor the sweetness of each other’s lips – Linda even waves Cale off when he dares to caress her. But Kristof eventually becomes a full participant, getting his cock sucked by both beauties before slender vixen Gina takes his erection deep inside her while Linda takes a seat on his hungry mouth. Gerson, sweet, intense, and vocally expressive, quickly reaches the first of several orgasmic peaks. After Gerson climbs off Cale, Sweet climbs on and enjoys a similarly satisfying ride on Kristof’s staff.

After making love in several additional positions and combinations the two beauties are finally satisfied, and Cale piston his prong into Sweet’s glistening pink slit until he’s pumped a creamy load deep within her. Nude and glowing with satisfaction, the lusty trio then stand at the balustrade taking in the beauty of the “Skyline” and looking forward to what additional pleasures this wild night may yet have in store for them.

Julia Roca – Lost in a Dream Volume 7

Synopsis: Alis Locanta’s single girl masturbation series “Lost in a Dream” is both popular and highly rated, and the format could no doubt be revisited long into the future with similarly satisfying results. And that’s enough reason for this restless and inventive director to take his project in a distinctly new direction with “Lost in a Dream #7.” This is also a new direction for the film’s star, Julia Roca. As noted, previous episodes of the series have been single girl features, and Roca’s four previous Sexart appearances have been in girl-girl films.

Here she’s the Dreamer character of previous installments. But, for the first time ever, the Dreamer conjures a partner in her dream, Joel Tomas, making this the first boy-girl film in the collection as well as Roca’s first boy-girl scene for Sexart. And, make no mistake, this is a bravura performance for the dark-eyed siren. True to form, the film shifts from the sleeping Dreamer to the visions playing out in her dreams. And, following the unique, nonlinear logic of the subconscious, Roca’s dream is segmented, consisting of three separate encounters. In the first, Roca and Tomas are relaxing poolside when she’s suddenly inspired to ravenously suck and furiously stroke his cock until her breasts are smeared with semen. In the second segment Roca and Tomas kiss and caress with vigorous passion before Tomas eats Roca’s pussy to an extremely vocal and expressive orgasm.

As the Dreamer’s own autoerotic activities increase in intensity the third segment is an absolutely searing screw, devoid of frills or foreplay, and filled with pumping, pounding, grinding, and Roca’s unrestrained, animalistic, and ecstatic expressions of raw sexual desire and overwhelming pleasure. “Lost in a Dream #7″ ends with two tantalizing extras – Roca is simply stunning in the high fashion epilog that runs under the credits, and sharp eyed viewers will surely wonder: where, when, and why was she sleeping in that non sequitur of a setting?

Alexa Tomas – Possessione 2

Synopsis: It’s been nearly a year since Alis Locanta released “Possessione” and fans of the original are certain to be pleased with the sequel, “Possessione 2.” Here the subject matter, the style, and even the leading man remain the same, but now Alexa Tomas takes on the role of submissive to Franck Franco’s dominant. And Locanta sets the story in motion with the same clever mix of the sinister with the sweet, the ominous with the innocent, the rough with the tender. After a dark and disquieting introduction (enhanced by a foreboding soundtrack) we’re given several different views of Alexa and Franck’s relationship.

They’re in love, they’re impulsive and spontaneous, and after Alexa makes a not so subtle suggestion, they’re obviously open to experimentation and erotic adventure. Without revealing too much detail – and robbing the viewer of the thrill of discovery – it’s safe to say that “Possession 2″ is about power – relinquishing it, utilizing it, and ultimately sharing it. Alexa has chosen her role not only willingly, but eagerly. Franck uses his power not to threaten, but to create pleasure – for himself, to be sure, but for his tethered partner in equal measure.

Here the master and the slave derive the same delight from the ritual they partake in – both the possessor and the possessed achieve a similarly elevated level of arousal, and, in the end, the same level or orgasmic pleasure at the very same time. And as they kiss and hold hands in the aftermath it’s made abundantly clear that “Possession 2″ is only superficially about power, and almost entirely about the pleasures that can be achieved through unconventional means.

Lexie Dona & Uma – Above

Synopsis: Much of Andrej Lupin’s “Above” is captured by a camera positioned high above the performers. The film begins with a slow tracking shot that establishes the vertiginous camera placement with masterful elegance. Later on the airborne camera takes a curvilinear path, swooping, spinning and swerving with balletic grace above the two earthbound players below. But style without substance never fully satisfies, and that’s where the impassioned performances of Uma Zex and Lexie Dona come in.

A perfect pairing of light and dark, Uma and Lexie kiss tenderly and with rapidly increasing passion on an L-shaped sofa. Intimate, ground level close-ups capture the powerful natural attraction between the two women. Uma takes the lead, helping Lexie out of her nightie and then deftly and methodically stroking, licking, and finger-banging her to several distinct peaks of ecstasy. When it’s time for Lexie to reciprocate, she does so eagerly, enthusiastically, and with obvious enjoyment — the smile on Lexie’s face as she slides her long, agile tongue through Uma’s juicy slit and across her clit is one of many special moments here.

The two radiant stars reach their final climaxes of the encounter with Uma astride Lexie in a sixty-nine, eating while being eaten, fingering while being fingered, and basking in shared and simultaneous orgasm. Beautiful visuals and thrilling performances make “Above” a lusty and lofty erotic/artistic achievement.

Lady Dee & Lucy Li – Petrin

Synopsis: Andrej Lupin’s erotic film “Petrin” presents two distinct kinds of love: the artist’s love of his home, Prague in the Czech Republic, and the love shared by two beautiful women. “Petrin” takes its name from a hill in the center of Prague and as the film begins Lady Dee arrives for a rendezvous with Lucy Li.

They ride a funicular railway to the top of the hill, wander through beautiful gardens, climb to the top of a lookout tower where they gaze at the beauty of the city spread out at their feet, and visit various attractions, including a hall of mirrors. The beauty of the setting and scenery is the perfect backdrop to the obvious affection between the two dark-haired starlets. Then the film transitions to a far more intimate, but equally evocative, location – an oversized spa tub in which the two lovers, now totally nude, share a leisurely and romantic interlude. Kissing tenderly, they bathe each other and savor the privacy and serenity of their surroundings.

Love soon gives way to lust, however, and Lucy strokes, eats, and fingers Lady Dee to a strong climax. With a bit of direction from the more assertive Li, Lady Dee then pleasures her voluptuous partner, ultimately bringing her to a powerful orgasm. This beautiful interlude reaches its conclusion as the lovers playfully splash each other with water, ending “Petrin” on a sweet, stylish, and satisfying note.